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Sara Ahmed said, ‘Emotions should not be regarded as psychological states, but as social and cultural practices’ (2004, 9). Critical feminist scholarship on embodiment and women’s lived experiences of their bodies has resituated and reframed the way that social scientists understand the discipline, control, and regulation of bodies (Foucault 1995). As a malleable site of cultural anxieties (Bordo 2003), personal distress and self-objectification (Johnston-Robledo et al. 2007), pleasure and satisfaction (Fahs 2011b), cultural rebellion (Bobel and Kwan 2011), frank oppression (Owen 2012), or affiliation to various social identities (Hill Collins 2000), the body and its role as a social entity cannot be overstated. More specifically, psychologists, body image researchers, and critical feminist scholars have argued that women mould and shape their bodies to emulate ‘ideals’ of youth, heterosexuality, ability, whiteness, and thinness (Bordo 2003; Ringrose and Walkerdine 2008; Tiggemann and Lewis 2004).
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