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Linking The Musical Proportions Of The Renaissance, Modulor Of Le Corbusier, And Roman System Of Proportions
4 references·2 citing·14 second hop
Linking The Musical Proportions Of The Renaissance, Modulor Of Le Corbusier, And Roman System Of Proportions (1996)Linking The Musical Proportions Of The Re…The sacred cut revisited: the pavement of the baptistery of san giovanni, florence (1994)The sacred cut revisited: the…Connections: the geometric bridge between art and science (1991)Connections: the geometric br…The Theory of Proportion in Architecture (1959)The Theory of Proportion in A…Architectural Principles in the Age of Humanism (1951)Architectural Principles in t…The Conceptual Design of the Octagon at Thessaloniki (2020)The Conceptual Design of the …Musical Proportions at the Basis of Systems of Architectural Proportion both Ancient and Modern (2014)Musical Proportions at the Ba…Architectural principles in the age of humanism (1949)TheDomus Aureaand the Roman Architectural Revolution (2003)Yale University Library Gazette (2020)Towards Understanding Greek Temple Design: General Considerations (1975)The Golden Section in Architectural Theory (2002)Architecture and Mathematics in Ancient Egypt (2008)Michelangelo's Medici Chapel: The Cube, the Square and the Root-2 Rectangle (1997)Spirals and Rosettes in Architectural Ornament (1999)On the pleasures of the mind. (1999)Well-being : the foundations of hedonic psychology (1999)Is Social Work a Profession? (2001)Appendices: The rise of the philosophical textbook (1988)Moral philosophy (1988)The Renaissance concept of philosophy (1988)
this work references cited by second hop

References

  • 1951Architectural Principles in the Age of Humanism355 cited
  • 1991Connections: the geometric bridge between art and science123 cited
  • 1959The Theory of Proportion in Architecture107 cited
  • 1994The sacred cut revisited: the pavement of the baptistery of san giovanni, florence9 cited

Cited by

  • 2020The Conceptual Design of the Octagon at Thessaloniki7 cited
  • 2014Musical Proportions at the Basis of Systems of Architectural Proportion both Ancient and Modern6 cited

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