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Abstract This article examines the conception of American literature as philosophy. It aims to present a reading of Frederick Douglass's thinking on examples and the philosophical freight they carry, and describes the relevant works of William Wells Brown. The article explores how Douglass navigated concerns about the relationship between theory and example in “Self-Made Men,” and argues that literary critics should be careful to avoid the doctrinaire application of all philosophical ideas and theoretical models.
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Stored only when both papers are in the corpus — 26 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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