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Thirteen translations of the Imitatio Christi and three paraphrases seem to have been published between 1500 and 1700. Of the grand total of sixteen versions, nine were Catholic and seven Protestant. There can be little doubt that in addition to these printed versions a number of renderings were made, in whole or in part, which remained in manuscript. There is evidence, then, of the great and continuing popularity of this classic of the spiritual life, both with Catholic and Protestant readers. I intend to consider here the printed translations of the Imitatio with three questions in mind. What relationship is revealed between Catholic and Protestant translators? What attempt is made by Protestant translators to modify distinctively Catholic elements in the Imitatio? Is any general literary development apparent between 1500 and 1700? Conveniently, the answers to these questions can be divided into those appropriate for the sixteenth and those appropriate for the seventeenth century.
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