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Methodological contribution to the integrated study of European Palaeolithic rock art: The issue of the audience and the perceptibility of Roc-aux-Sorciers rock art (Angles-sur-l'Anglin, France)
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References

  • 1960Art and Illusion. A Study in the Psychology of Pictorial Representation676 cited
  • 1981Voyage autour du territoire436 cited
  • 1960Art and Illusion: A Study in the Psychology of Pictorial Representation310 cited
  • 1998Palaeolithic society and the release from proximity: A network approach to intimate relations214 cited
  • 2011Cave Art in Context: Methods for the Analysis of the Spatial Organization of Cave Sites66 cited
  • 2016The social dimension of human depiction in Magdalenian rock art (16,500 cal. BP–12,000 cal. BP): The case of the Roc-aux-Sorciers rock-shelter52 cited
  • 2016Experience based reading of Pleistocene human footprints in Pech-Merle42 cited
  • 2009Thinking with Animals in Upper Palaeolithic Rock Art37 cited
  • 2005Pictures in place: the figured landscapes of rock-art37 cited
  • 1985The Cultural Context of Hunter-Gatherer Rock Art35 cited
  • 2013Rock art and social geography in the Upper Paleolithic. Contribution to the socio-cultural function of the Roc-aux-Sorciers rock-shelter (Angles-sur-l’Anglin, France) from the viewpoint of its sculpted frieze30 cited
  • 2007British Neolithic Rock Art in its Landscape25 cited
  • 2002Passage, Transformation et Art Schématique: L'exemple des peintures néolithiques du sud de la France23 cited
  • 2013The depiction of the individual in prehistory: human representations in Magdalenian societies

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22 cited
  • 1994ARTE PALEOLÍTICO Y GEOGRAFÍAS SOCIALES. ASENTAMIENTO, MOVILIDAD Y AGREGACIÓN EN EL FINAL DEL PALEOLÍTICO CANTÁBRICO18 cited
  • Cited by

    • 2020Upper Palaeolithic Installation Art: Topography, Distortion, Animation and Participation in the Production and Experience of Cantabrian Cave Art20 cited
    • 2020Hidden Sites, Hidden Images, Hidden Meanings: Does the Location and Visibility of Motifsand Sites Correlate to Restricted or Open Access?13 cited
    • 2023Recognizing technique variation in rock engravings: ArchCUT3-D for micromorphological analysis12 cited
    • 2024Space Analysis in Palaeolithic Cave Art: Towards a Multidisciplinary and Integrated Approach8 cited
    • 2022Performance theory: a growing interest in rock art research7 cited
    • 2020Human and Animal Individuals in the Middle Magdalenian7 cited
    • 2018Essai d’une anthropologie des images paléolithiques du Roc-aux-Sorciers (Angles-sur-l’Anglin, Vienne, France) : entre continuités et discontinuités5 cited
    • 2022Beyond images: the external archaeological context of Palaeolithic rock art (EAC). A case study from the Nalón river basin (northern Iberia)5 cited
    • 2018Sortir de la grotte4 cited
    • 2026Carved in stone: Experimental criteria for identifying Paleolithic bas-relief production techniques and sculptors’ expertise1 cited
    • 2026Mapping the Symbolic Structure of Palaeolithic Rock Art Using Co-occurrence Network Analysis1 cited
    • 2020L’art rupestre en abri sous-roche du Paléolithique supérieur1 cited
    • 2024Techné of Rock Engravings—the Timna Case Study1 cited
    • 2022The Many Meanings of “Integration”: Some Thoughts on Relating Rock Art and Excavated Archaeology in South Africa0 cited