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The Interchangeability of VFX and Live Action and Its Implications for Realism
15 references·1 citing·31 second hop
The Interchangeability of VFX and Live Action and Its Implications for Realism (2017)The Interchangeability of VFX and Live Ac…The Photographic Image in Digital Culture (2013)The Photographic Image in Dig…Narration in the Fiction Film (2013)Narration in the Fiction FilmDigital and Other Virtualities : Renegotiating the Image (2010)Digital and Other Virtualitie…World Cinema: Realism, Evidence, Presence (2009)World Cinema: Realism, Eviden…Realism and the Audiovisual Media (2009)Realism and the Audiovisual M…The Virtual Life of Film (2007)The Virtual Life of FilmLa Deshumanización Del Arte (2007)La Deshumanización Del ArteRites of Realism: Essays on Corporeal Cinema (2003)Rites of Realism: Essays on C…The Emergence of Cinematic Time (2002)The Emergence of Cinematic Ti…Change Mummified: Cinema, Historicity, Theory (2001)Change Mummified: Cinema, His…True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)True Lies: Perceptual Realism…Narration in the Fiction Film (1986)Narration in the Fiction FilmFilm Theory and Criticism (1985)Film Theory and CriticismVision and Painting: The Logic of the Gaze (1984)Vision and Painting: The Logi…Film theory and criticism (1979)Film theory and criticismFleeting Film: Using Story to Seek Archival Permanence in the Transitory and Globalized Digital Visual Effects Industry (2018)Fleeting Film: Using Story to…THEORY OF FILM: The Redemption of Physical Reality (1965)Representing reality: issues and concepts in documentary (1992)Camera Lucida: Reflections on Photography (2001)The Impact of Science Fiction Film on Student Understanding of Science (2006)A philosophy of cinematic art (2010)Synthetic Experiences: How Popular Culture Matters for Images of International Relations (2017)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)Seeing health and illness worlds – using visual methodologies in a sociology of health and illness: a methodological review (2002)Family photographs and domestic spacings: a case study (2003)The Cultural Logic of Photo-Based Meme Genres (2014)Cinema 3.0: The Interactive-Image (2010)On Disability and Cybernetics: Helen Keller, Norbert Wiener, and the Hearing Glove (2011)Imagined Democracies: Necessary Political Fictions (2012)Limits to Anthropocentrism: Toward an Ecocentric Organization Paradigm? (1995)Feminist Visualization: Re-envisioning GIS as a Method in Feminist Geographic Research (2002)Visual essentialism and the object of visual culture (2003)Popular culture and professional identity: Accountants in the movies (1994)Black and White: Mercedes de Acosta's Glorious Enthusiasms (2001)Audiovisual Translation: Subtitling for the Deaf and Hard-of-Hearing (2006)Narrative Complexity in Contemporary American Television (2006)The Routledge Handbook of Multimodal Analysis (2010)Moving Away from the Index: Cinema and the Impression of Reality (2007)Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics (2008)What's the Point of an Index? or, Faking Photographs (2008)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Soul of the Documentary (2015)The Quality of Environmental KPI Disclosure in ESG Reporting for SMEs in Hong Kong (2023)Popular Culture and Oral Traditions in African Film (1988)The queen Christina tie‐ups: Convergence of show window and screen (1989)
this work references cited by second hop

References

  • 1986Narration in the Fiction Film1,483 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 2007The Virtual Life of Film723 cited
  • 2001Change Mummified: Cinema, Historicity, Theory517 cited
  • 1984Vision and Painting: The Logic of the Gaze487 cited
  • 2013The Photographic Image in Digital Culture371 cited
  • 1985Film Theory and Criticism298 cited
  • 1979Film theory and criticism230 cited
  • 2002The Emergence of Cinematic Time140 cited
  • 1996True Lies: Perceptual Realism, Digital Images, and Film Theory129 cited
  • 2003Rites of Realism: Essays on Corporeal Cinema85 cited
  • 2007La Deshumanización Del Arte50 cited
  • 2009World Cinema: Realism, Evidence, Presence37 cited
  • 2009Realism and the Audiovisual Media36 cited
  • 2010Digital and Other Virtualities : Renegotiating the Image15 cited

Cited by

  • 2018Fleeting Film: Using Story to Seek Archival Permanence in the Transitory and Globalized Digital Visual Effects Industry1 cited

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