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Béla Bartók's Evolution of Tonal Resources
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Béla Bartók's Evolution of Tonal Resources (2017)Béla Bartók's Evolution of Tonal ResourcesBéla Bartók's Evolutionary Model of Folk Music (2016)Béla Bartók's Evolutionary Mo…The String Quartets of Béla Bartók (2014)The String Quartets of Béla B…Structure as Process: Rereading Hauptmann's Use of Dialectical Form (2009)Structure as Process: Rereadi…P aradoxes of P itch S pace (2008)P aradoxes of P itch S paceMulti-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók (2007)Multi-Aggregate Cycles and Mu…As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)As Wonderful as Star Clusters…Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents (1994)Harmonic Function in Chromati…Remaking the Past (1990)Remaking the PastNotation and tonal structure in Bartok's later works (1989)Notation and tonal structure …The workshop of Bartók and Kodály (1983)The workshop of Bartók and Ko…A Formal Theory of Generalized Tonal Functions (1982)A Formal Theory of Generalize…Meta-Variations: Studies in the Foundations of Musical Thought (I) (1969)Meta-Variations: Studies in t…THE STRING QUARTETS OF BARTOK (1949)THE STRING QUARTETS OF BARTOKCreative evolution / (1911)Creative evolution /The Nature of Harmony and Metre (1888)The Nature of Harmony and Met…Charles W. Morris. Foundations of the theory of signs. International encyclopedia of unified science, vol. 1, no. 2. The University of Chicago Press, Chicago1938, vii + 59 pp. (1938)Aspects of Scientific Explanation. (1966)The Concept of Musical Grammar (1983)Empiricism and the philosophy of mind (1997)Music theory and mathematics (2002)Anatomy of the Encounter: Intercultural Analysis as Relational Musicology (2016)The Body in the Mind (1987)Women, Fire, and Dangerous Things (1987)Metaphors We Live By (2003)Contextual-Inversion Spaces (2011)Extraordinary Measures (2011)The Generalized Tonnetz (2012)Composition With Pitch-Classes (1987)Bela Bartok and Turn-of-the-Century Budapest (1998)Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 (2010)Chick Corea and Postbop Harmony (2016)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)The New Grove dictionary of music and musicians (2001)Normalizing the Abnormal: Disability in Music and Music Theory (2006)The Geometry of Musical Chords (2006)Action and Agency Revisited (2013)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)Triadic Modal and Pentatonic Patterns in Rock Music (2010)Aspects of Well-Formed Scales (1989)Chromatic Transformations in Nineteenth-Century Music (2002)Hugo Riemann and the Birth of Modern Musical Thought (2003)Schoenberg on Ornamentation and Structural Levels (1994)Zones of Impingement: Two Movements from Bartók's Music for Strings, Percussion, and Celesta (2003)Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching (2015)Fantasy Pieces (1999)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)Uniform Triadic Transformations (2002)The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal (1993)The Cambridge History of Modernism (2017)Biology and knowledge (1983)If Mobility is Everything Then it is Nothing: Towards a Relational Politics of (Im)mobilities (2006)An assessment of the scientific merits of action research (2023)
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References

  • 1911Creative evolution /973 cited
  • 1990Remaking the Past194 cited
  • 1999As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert177 cited
  • 1994Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents155 cited
  • 1982A Formal Theory of Generalized Tonal Functions149 cited
  • 1888The Nature of Harmony and Metre70 cited
  • 2008P aradoxes of P itch S pace45 cited
  • 2007Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók28 cited
  • 1969Meta-Variations: Studies in the Foundations of Musical Thought (I)28 cited
  • 1949THE STRING QUARTETS OF BARTOK18 cited
  • 1983The workshop of Bartók and Kodály12 cited
  • 1989Notation and tonal structure in Bartok's later works6 cited
  • 2014The String Quartets of Béla Bartók5 cited
  • 2009Structure as Process: Rereading Hauptmann's Use of Dialectical Form4 cited
  • 2016Béla Bartók's Evolutionary Model of Folk Music4 cited

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