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‘THESE ARE THE TONES COMMONLY USED’: THE TONOS DE CANTO DE ÓRGANO IN SPANISH BAROQUE MUSIC THEORY
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‘THESE ARE THE TONES COMMONLY USED’: THE TONOS DE CANTO DE ÓRGANO IN SPANISH BAROQUE MUSIC THEORY (2016)‘THESE ARE THE TONES COMMONLY USED’: THE …Tonal Structures in Early Music (2014)Tonal Structures in Early Mus…Das neu-eröffnete Orchestre (2007)Das neu-eröffnete OrchestreTonal organization in seventeenth-century music theory (2002)Tonal organization in sevente…Modal Theory, Church Keys, and the Sonata at the End of the Seventeenth Century (1998)Modal Theory, Church Keys, an…Tones, modes, clefs and pitch in Roman cyclic Magnificats of the 16th century (1994)Tones, modes, clefs and pitch…Alternatim practice in 17th-century Spain:the integration of organ versets and plainchant in psalms and canticles (1994)Alternatim practice in 17th-c…Alternatim practice in 17th-century Spain (1994)Alternatim practice in 17th-c…Between Modes and Keys: German Theory 1592-1802 (1991)Between Modes and Keys: Germa…Llave de la modulacion y antiguedades de la musica (1978)Llave de la modulacion y anti…L'organo suonarino (1978)L'organo suonarinoKey and Mode in Seventeenth- Century Music Theory Books (1973)Key and Mode in Seventeenth- …Leçons de clavecin et principes d'harmonie (1966)Leçons de clavecin et princip…Elemens de musique theorique et pratique (1966)Elemens de musique theorique …French Baroque Organ Music and the Eight Church Tones (1958)French Baroque Organ Music an…Il teatro alla moda (1956)Il teatro alla modaL'armonico pratico al cimbalo (1967)Carissimi's Tonal System and the Function of Transposition in the Expansion of Tonality (2002)Dictionnaire de musique (1913)Le Istitutioni Harmoniche (1967)Music in the Seventeenth Century (1987)Studies in the History of the Cadence (2015)Tonality as Topic (2017)The Requiem of Tomás Luis de Victoria (1603) (2019)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)Daniel Vetter and the domestic keyboard chorale in Bach's Leipzig (2005)TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA (2013)Improvised Ornamentation in Eighteenth-Century Orchestras (1986)ARMGART'S VOICE PROBLEMS (2006)The rival sirens: performance and identity on Handel's operatic stage (2014)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Major-Minor Concepts and Modal Theory in Germany, 1592-1680 (1977)BLAINVILLE'S NEW MODE, OR HOW THE PLAGAL CADENCE CAME TO BE ‘PLAGAL’ (2015)Music theory and mathematics (2002)Rameau and eighteenth-century harmonic theory (2002)A Theory of Recontextualization in Music: Analyzing Phenomenal Transformations of Repetition (2003)The French Path (2017)Reading and rhythm in the ‘La Clayette’ manuscript (Paris, Bibliothèque nationale de France, nouv. acq. fr. 13521) (2014)HOCKETS BROKEN AND INTEGRATED IN EARLY MENSURAL THEORY AND AN EARLY MOTET (2017)
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References

  • 2014Tonal Structures in Early Music117 cited
  • 1991Between Modes and Keys: German Theory 1592-180253 cited
  • 2002Tonal organization in seventeenth-century music theory42 cited
  • 1994Alternatim practice in 17th-century Spain:the integration of organ versets and plainchant in psalms and canticles39 cited
  • 1998Modal Theory, Church Keys, and the Sonata at the End of the Seventeenth Century36 cited
  • 2007Das neu-eröffnete Orchestre35 cited
  • 1973Key and Mode in Seventeenth- Century Music Theory Books20 cited
  • 1994Tones, modes, clefs and pitch in Roman cyclic Magnificats of the 16th century9 cited
  • 1956Il teatro alla moda9 cited
  • 1958French Baroque Organ Music and the Eight Church Tones6 cited
  • 1978L'organo suonarino6 cited
  • 1966Leçons de clavecin et principes d'harmonie4 cited
  • 1966Elemens de musique theorique et pratique4 cited
  • 1978Llave de la modulacion y antiguedades de la musica3 cited
  • 1994Alternatim practice in 17th-century Spain2 cited

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