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Conventions of Viewpoint Coherence in Film
16 references·9 citing·30 second hop
Conventions of Viewpoint Coherence in Film (2017)Conventions of Viewpoint Coherence in FilmThe philosophy of motion pictures (2008)The philosophy of motion pict…Poetics Of Cinema (2008)Poetics Of CinemaLogics of conversation (2003)Logics of conversationUnderstanding Comics: The Invisible Art (1998)Understanding Comics: The Inv…Handbook of semiotics (1997)Handbook of semioticsImage and Mind (1995)Image and MindUsing linguistic phenomena to motivate a set of coherence relations (1994)Using linguistic phenomena to…Demonstratives: An Essay on the Semantics, Logic, Metaphysics and Epistemology of Demonstratives and other Indexicals (1989)Demonstratives: An Essay on t…Rhetorical Structure Theory: Toward a functional theory of text organization (1988)Rhetorical Structure Theory: …The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)The Classical Hollywood Cinem…Relevance: Communication and Cognition (1986)Relevance: Communication and …Languages and Language (1983)Languages and LanguageA Theory of Semiotics (1976)A Theory of SemioticsFilm Technique and Film Acting (1975)Film Technique and Film ActingFilm Language: A Semiotics of the Cinema. (1974)Film Language: A Semiotics of…Convention: A Philosophical Study. (1970)Convention: A Philosophical S…The Iconic-Symbolic Spectrum (2023)The Iconic-Symbolic SpectrumSuper Linguistics: an introduction (2023)Super Linguistics: an introdu…Emojis as Pictures (2023)Emojis as PicturesNotions of arbitrariness (2022)Notions of arbitrarinessCoordination and the Syntax – Discourse Interface (2022)Coordination and the Syntax –…Modeling the Meanings of Pictures (2020)Modeling the Meanings of Pict…Normative Fiction‐Making and the World of the Fiction (2019)Normative Fiction‐Making and …What is Super Semantics?* (2018)What is Super Semantics?*Gestural semantics (2018)Gestural semanticsRhetorical Structure Theory: looking back and moving ahead (2006)A Derivational Syntax for Information Structure (2009)On Reacting to Assertions and Polar Questions (2009)Beyond modularity: a developmental perspective on cognitive science (1993)Understanding and sharing intentions: The origins of cultural cognition (2005)Misinformation and Its Correction (2012)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Machines and Mindlessness: Social Responses to Computers (2000)Event structure in perception and conception. (2001)Anthropomorphism and the social robot (2003)How to make a decision: The analytic hierarchy process (1990)Talking science: language, learning, and values (1991)Methodology of the Oppressed (2010)Toward a taxonomy of coherence relations (1992)What are discourse markers? (1999)Verbal irony as implicit display of ironic environment: Distinguishing ironic utterances from nonirony (2000)The Routledge Companion to Aesthetics (2005)Embodying movies: Embodied simulation and film studies (2012)A multimodal discourse theory of visual narrative (2014)A cognitive theory of pretense (2000)Mindreading (2003)Simulating Minds (2006)Origins of the modern mind: three stages in the evolution of culture and cognition (1992)The Evolution of Conventions (1993)Social Theory of International Politics (1999)The expressive dimension (2007)The Philosophy of Philosophy (2007)The Emotional Construction of Morals (2009)
this work references cited by second hop

References

  • 1986Relevance: Communication and Cognition6,707 cited
  • 1988Rhetorical Structure Theory: Toward a functional theory of text organization3,864 cited
  • 1998Understanding Comics: The Invisible Art3,139 cited
  • 1970Convention: A Philosophical Study.3,121 cited
  • 1976A Theory of Semiotics2,906 cited
  • 2003Logics of conversation1,114 cited
  • 1989Demonstratives: An Essay on the Semantics, Logic, Metaphysics and Epistemology of Demonstratives and other Indexicals918 cited
  • 1986The Classical Hollywood Cinema: Film Style & Mode of Production to 1960665 cited
  • 1974Film Language: A Semiotics of the Cinema.610 cited
  • 1995Image and Mind552 cited
  • 1997Handbook of semiotics530 cited
  • 1983Languages and Language433 cited
  • 1994Using linguistic phenomena to motivate a set of coherence relations276 cited
  • 2008Poetics Of Cinema248 cited
  • 2008The philosophy of motion pictures217 cited
  • 1975Film Technique and Film Acting200 cited

Cited by

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  • 2023Emojis as Pictures68 cited
  • 2023The Iconic-Symbolic Spectrum53 cited
  • 2019Normative Fiction‐Making and the World of the Fiction43 cited
  • 2018Gestural semantics34 cited
  • 2018What is Super Semantics?*28 cited
  • 2023Super Linguistics: an introduction28 cited
  • 2020Modeling the Meanings of Pictures27 cited
  • 2022Coordination and the Syntax – Discourse Interface27 cited
  • 2022Notions of arbitrariness12 cited