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Girls will be boys: cross-dressed women, lesbians, and American cinema, 1908-1934
5 references·4 citing·25 second hop
Girls will be boys: cross-dressed women, lesbians, and American cinema, 1908-1934 (2016)Girls will be boys: cross-dressed women, …“Speaking Shadows”: A History of the Voice in the Transition from Silent to Sound Film in the United States (2009)“Speaking Shadows”: A History…Migrating to the movies: cinema and black urban modernity (2005)Migrating to the movies: cine…This mad masquerade: stardom and masculinity in the Jazz Age (1997)This mad masquerade: stardom …Reframing culture: the case of the Vitagraph quality films (1994)Reframing culture: the case o…Amazons and military maids : women who dressed as men in the pursuit of life, liberty, and happiness (1989)Amazons and military maids : …The Oxford Handbook of Queer Cinema (2021)The Oxford Handbook of Queer …Mirror Scene: Transgender Aesthetics in The Matrix and Boys Don’t Cry (2021)Mirror Scene: Transgender Aes…Barbara Hammer: Lesbian Feminist Iconography and Queer Aesthetics (2021)Barbara Hammer: Lesbian Femin…Cross-Dressing and Transgender Representation in Swedish Cinema, 1908–2017 (2017)Cross-Dressing and Transgende…The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)The acoustic mirror: the female voice in psychoanalysis and cinema (1989)The talkies: American cinema's transition to sound, 1926-1931 (1998)Race and the re-embodied voice in Hollywood film (2011)Language and Materiality in Global Capitalism (2012)Anthropology and Voice (2014)Vested Interests: Cross-Dressing and Cultural Anxiety (1993)Disidentifications: Queers Of Color And The Performance Of Politics (1999)In a Queer Time and Place: Transgender Bodies, Subcultural Lives (2005)The power of vulnerability (2018)Ecological Aesthetics of Intimate Otherness in Swedish Trans Cinema (2021)Gender trouble: feminism and the subversion of identity (1990)Cruising utopia: the then and there of queer futurity (2010)Understanding cinema a psychological theory of moving imagery (2003)House full (2006)Theorizing Adaptation (2020)Academic Viagra: The Rise of American Masculinity Studies (2000)One for the Girls!: The Pleasures and Practices of Reading Women's Porn (2007)Digital masquerading: Feminist media activism in China (2017)Gendering War Talk (1993)The Autobiography of an Ex-Coloured Man (1996)The Imagined Civil War: Popular Literature of the North and South, 1861-1865 (2002)RELOCATING AMERICAN FILM HISTORY (2006)That the Mothers May Soar and the Daughters May Know Their Names: A Retrospective of Black Feminist Literary Criticism (2006)The ‘Reol’ Story: Race Authorship and Consciousness in Robert Levy's Reol Productions, 1921–1926 (2008)
this work references cited by second hop

References

  • 1997This mad masquerade: stardom and masculinity in the Jazz Age231 cited
  • 1989Amazons and military maids : women who dressed as men in the pursuit of life, liberty, and happiness165 cited
  • 2009“Speaking Shadows”: A History of the Voice in the Transition from Silent to Sound Film in the United States126 cited
  • 2005Migrating to the movies: cinema and black urban modernity120 cited
  • 1994Reframing culture: the case of the Vitagraph quality films89 cited

Cited by

  • 2021The Oxford Handbook of Queer Cinema14 cited
  • 2021Mirror Scene: Transgender Aesthetics in The Matrix and Boys Don’t Cry13 cited
  • 2017Cross-Dressing and Transgender Representation in Swedish Cinema, 1908–201710 cited
  • 2021Barbara Hammer: Lesbian Feminist Iconography and Queer Aesthetics9 cited

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