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Criteria for Analysis
16 references·0 citing·31 second hop
Criteria for Analysis (2012)Criteria for AnalysisGeneralized Voice-Leading Spaces (2008)Generalized Voice-Leading Spa…The Invention of “Folk Music” and “Art Music” (2007)The Invention of “Folk Music”…The Geometry of Musical Chords (2006)The Geometry of Musical ChordsA Cognitive Theory of Musical Meaning (2000)A Cognitive Theory of Musical…As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)As Wonderful as Star Clusters…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Instituting Science: The Cultural Production of Scientific Disciplines (1998)Instituting Science: The Cult…The Second Practice of Nineteenth-Century Tonality (1997)The Second Practice of Ninete…Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg (1989)Viennese Harmonic Theory from…The Functional Extravagance of Chromatic Chords (1986)The Functional Extravagance o…Music Theory, Phenomenology, and Modes of Perception (1986)Music Theory, Phenomenology, …The Art of Strict Musical Composition (1984)The Art of Strict Musical Com…A Formal Theory of Generalized Tonal Functions (1982)A Formal Theory of Generalize…The Prussian Universities and the Concept of Research (1980)The Prussian Universities and…The Growth of Professorial Research in Prussia, 1818 to 1848-Causes and Context (1971)The Growth of Professorial Re…Musical Scales of Various Nations 1 (1885)Musical Scales of Various Nat…Women, Fire, and Dangerous Things (1987)Playing with Signs (1991)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)"Something in the Way She Moves"-Metaphors of Musical Motion (2003)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Metaphor Wars: Conceptual Metaphors in Human Life (2017)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The distance geometry of music (2008)Generalized Musical Intervals and Transformations (1988)Scale Networks and Debussy (2004)Source Readings in Music History (1950)The Anxiety of Influence (1973)Bodily Hearing: Physiological Metaphors and Musical Understanding (1999)Action and Agency Revisited (2013)Music and Ethical Responsibility (2014)The New Grove dictionary of music and musicians (2001)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)Extraordinary Measures (2011)Innovation as co-evolution of scientific and technological networks: exploring tissue engineering (2002)A General Theory of Scientific/Intellectual Movements (2005)Interdisciplinarity: A Critical Assessment (2009)Uniform Triadic Transformations (2002)A geometry of music: harmony and counterpoint in the extended common practice (2012)The Quest for the Origins of Music in Germany Circa 1900 (2000)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)The Strengths of the Strong Programme (1984)Researching the Teaching-Research Nexus: A Critical Review (1996)On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564) (2012)Non-Western national music and empire in global history: interactions, uniformities, and comparisons (2015)
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References

  • 1986Music Theory, Phenomenology, and Modes of Perception319 cited
  • 2006The Geometry of Musical Chords292 cited
  • 2007The Invention of “Folk Music” and “Art Music”265 cited
  • 2000A Cognitive Theory of Musical Meaning254 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 2008Generalized Voice-Leading Spaces235 cited
  • 1998Instituting Science: The Cultural Production of Scientific Disciplines216 cited
  • 1997The Second Practice of Nineteenth-Century Tonality180 cited
  • 1999As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert177 cited
  • 1971The Growth of Professorial Research in Prussia, 1818 to 1848-Causes and Context165 cited
  • 1982A Formal Theory of Generalized Tonal Functions148 cited
  • 1989Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg142 cited
  • 1885Musical Scales of Various Nations 1135 cited
  • 1986The Functional Extravagance of Chromatic Chords126 cited
  • 1984The Art of Strict Musical Composition111 cited
  • 1980The Prussian Universities and the Concept of Research

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