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Curating Access to Audiovisual Heritage: Cultural Memory and Diversity in European Film Archives
5 references·4 citing·30 second hop
Curating Access to Audiovisual Heritage: Cultural Memory and Diversity in European Film Archives (2017)Curating Access to Audiovisual Heritage: …Digital memory and the archive (2013)Digital memory and the archiveFrom Grain to Pixel : The Archival Life of Film in Transition (2009)From Grain to Pixel : The Arc…WHOSE HERITAGE? UN-SETTLING ‘THE HERITAGE’, RE-IMAGINING THE POST-NATION (2004)WHOSE HERITAGE? UN-SETTLING ‘…Unthinking Eurocentrism: Multiculturalism and the Media (1996)Unthinking Eurocentrism: Mult…Archaeology of Knowledge (1970)Archaeology of KnowledgeActivating Displaced Radio Archives: The German ‘Loot Collection’ (Kořistní Fond) At Czech Radio (2024)Activating Displaced Radio Ar…Re-bordering the Archive: European Transnational Archives and Transnational Entanglements (2023)Re-bordering the Archive: Eur…Introduction: Activating the Archive (2021)Introduction: Activating the …Curating access, shaping cultural memory: the Czech National Film archive in the era of digitisation (2019)Curating access, shaping cult…The archaeology of knowledge (1973)Canon and Archive (2008)Mediation, Remediation, and the Dynamics of Cultural Memory (2009)A digital archive is born (2021)Audio-visual heritage preservation and the changing dynamics of Ghana’s historical film archives (2021)Archive Fever: A Freudian Impression (1995)Evidence, memory, identity, and community: four shifting archival paradigms (2012)Protest logics and the mediation opportunity structure (2012)ANALISIS BIBLIOMETRIK TREN PUBLIKASI ARSIP DIGITAL BERDASARKAN DATABASE SCOPUS 2014-2024 (2024)Wishful Thinking: Cultural Politics, Media, and Collective Identities in Europe (1993)Political Machines : Governing a Technological Society (2001)The Politics of Mass Digitization (2019)Audiovisual archiving : philosophy and principles (2004)Displaced Archives (2017)Entangled Media Histories (2017)Excavating Wartime Sound Heritage of Germany, Italy, and Japan (2024)Cultural Techniques: Preliminary Remarks (2013)Indigenous Circuits: Navajo Women and the Racialization of Early Electronic Manufacture (2014)Debates in the Digital Humanities 2016 (2016)Rethinking diversity: Hybridity and hybrid language practices in the third space (1999)Rethinking Critical Theory and Qualitative Research (2011)Critical Discourse Analysis (2015)Race and the Education of Desire (1995)A Set of Principles for Conducting and Evaluating Interpretive Field Studies in Information Systems1 (1999)The Handbook of Journalism Studies (2009)Queering the archive: Amateur films and LGBT+ memory (2019)Digital preservation and the sustainability of film heritage (2020)Locating processes of identification: studying the precipitates of re‐memory through artefacts in the British Asian home (2004)Materializing post-colonial geographies: examining the textural landscapes of migration in the South Asian home (2004)Whose memories, whose archives? Independent community archives, autonomy and the mainstream (2009)
this work references cited by second hop

References

  • 1970Archaeology of Knowledge11,463 cited
  • 1996Unthinking Eurocentrism: Multiculturalism and the Media1,013 cited
  • 2013Digital memory and the archive294 cited
  • 2004WHOSE HERITAGE? UN-SETTLING ‘THE HERITAGE’, RE-IMAGINING THE POST-NATION197 cited
  • 2009From Grain to Pixel : The Archival Life of Film in Transition77 cited

Cited by

  • 2021Introduction: Activating the Archive13 cited
  • 2019Curating access, shaping cultural memory: the Czech National Film archive in the era of digitisation6 cited
  • 2023Re-bordering the Archive: European Transnational Archives and Transnational Entanglements3 cited
  • 2024Activating Displaced Radio Archives: The German ‘Loot Collection’ (Kořistní Fond) At Czech Radio3 cited

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