WHOSE HERITAGE? UN-SETTLING ‘THE HERITAGE’, RE-IMAGINING THE POST-NATION

Stuart Hall

197 citations0/0 files storedRoutledge eBooks

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cultural Identity and Heritage Memory, Trauma, and Commemoration Cultural Identity and Representation

Abstract

This conference on ‘Whose Heritage?’ provides an opportunity to look critically at the whole concept of ‘British Heritage’ from the perspective of the multicultural Britain which has been emerging since the end of World War Two.1 How is it being-and how should it be-transformed by the ‘Black British’ presence and the explosion of cultural diversity and difference which is everywhere our lived daily reality?

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 197 citations exist upstream.

Cited by

2004Locating processes of identification: studying the precipitates of re‐memory through artefacts in the British Asian home 2009Whose memories, whose archives? Independent community archives, autonomy and the mainstream 2004Materializing post-colonial geographies: examining the textural landscapes of migration in the South Asian home 2013Unauthorising popular music heritage: outline of a critical framework 2010New frameworks for community engagement in the archive sector: from handing over to handing on 2013From a Given to a Construct 2013Archivist as activist: lessons from three queer community archives in California 2024Cultural Identity and Cinematic Representation

Imported from OpenAlex (CC0) — nothing here is generated.