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WHOSE HERITAGE? UN-SETTLING ‘THE HERITAGE’, RE-IMAGINING THE POST-NATION
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Independent community archives, autonomy and the mainstream (2009)Whose memories, whose archive…The museum’s redemption (2005)The museum’s redemptionMaterializing post-colonial geographies: examining the textural landscapes of migration in the South Asian home (2004)Materializing post-colonial g…Locating processes of identification: studying the precipitates of re‐memory through artefacts in the British Asian home (2004)Locating processes of identif…The Invention of Tradition (1986)Governing the Commons (1990)Governing the Commons: The Evolution of Institutions for Collective Action (1992)Urban Heritage and Social Movements (2015)The Altamira controversy: Assessing the economic impact of a world heritage site for planning and tourism management (2017)The social value of heritage: Balancing the promotion-preservation relationship in the Altamira World Heritage Site, Spain (2020)Modernity at Large: Cultural Dimensions of Globalization. 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  • 2004Locating processes of identification: studying the precipitates of re‐memory through artefacts in the British Asian home373 cited
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  • 2013Unauthorising popular music heritage: outline of a critical framework111 cited
  • 2010New frameworks for community engagement in the archive sector: from handing over to handing on105 cited
  • 2013From a Given to a Construct81 cited
  • 2013Archivist as activist: lessons from three queer community archives in California79 cited
  • 2024Cultural Identity and Cinematic Representation64 cited
  • 2012Constrained by Commonsense61 cited
  • 2015Re-Viewing Resistance in Namibian History56 cited
  • 2015Absent Histories and Absent Images: Photographs, Museums and the Colonial Past51 cited
  • 2010Switzerland and the UNESCO Convention on Intangible Cultural Heritage42 cited
  • 2010Heritage and practices of public formation38 cited
  • 2010Reading the Visual: Representation and Narrative in the Construction of Heritage

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33 cited
  • 2015Places of popular music heritage: The local framing of a global cultural form in Dutch museums and archives31 cited
  • 2005The museum’s redemption30 cited