Red matters: Native American studies

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American Literature and Culture Indigenous Cultures and History Literature: history, themes, analysis

Abstract

Preface 1. Nationalism, Indigenism, Cosmopolitanism: Three Critical Perspectives on Native American Literatures 2. On the Translation of Native American Song and Story: A Theorized History 3. America's Histories 4. From Half-Blood to Mixedblood Cogewea and the Discourse of Indian Blood 5. The Rage Stage: Contextualizing Sherman Alexie's Indian Killer Notes Bibliography Index Acknowledgments

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References

1984Europe and the People without History 1999Red on Red: Native American Literary Separatism

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2011Actually Existing Indian Nations: Modernity, Diversity, and the Future of Native American Studies 2002The (Post)Colonial Predicament of Native American Studies 2018Critical epidemiology in action: Research for and by indigenous peoples 2010Written in the Birch Bark: The Linguistic-Material Worldmaking of Simon Pokagon 2008The Trans/Historicity of Trauma in Jeannette Armstrong’s Slash and Sherman Alexie’s Indian Killer 2017“Meteors, Ships, Etc.”: Native American Histories of Colonialism and Early American Archives 2006Introduction: Native Americans in American Literature: Writing and Written 2006Scales of Aggregation: Prenational, Subnational, Transnational

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