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Return of the “Angry Woman”: Authenticating Female Physical Action in Contemporary Cinema
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Return of the “Angry Woman”: Authenticating Female Physical Action in Contemporary Cinema (2011)Return of the “Angry Woman”: Authenticati…Men, Women, and Chain Saws (2015)Men, Women, and Chain SawsThe Action and Adventure Cinema (2004)The Action and Adventure Cine…Working Girls (2002)Working GirlsWatching rape: film and television in postfeminist culture (2002)Watching rape: film and telev…Working girls: gender and sexuality in popular cinema (1999)Working girls: gender and sex…From 'figurative males' to action heroines: further thoughts on active women in the cinema (1999)From 'figurative males' to ac…Undressing cinema: clothing and identity in the movies (1998)Undressing cinema: clothing a…Commodity feminism (1991)Commodity feminismChapter Five. The American Nightmare: Horror in the 70s (1986)Chapter Five. The American Ni…Film Culture: 'Exploitation' films and feminism (1976)Film Culture: 'Exploitation' …Visual Pleasure and Narrative Cinema (1975)The Second Shift: Working Parents and the Revolution at Home (1990)The problem of hegemony: Rereading Gramsci for organizational communication studies (1997)The dialectic of enlightenment (2004)We were feminists once: from riot grrrl to covergirl, the buying and selling of a political movement (2017)Feminism in advertising: Irony or revolution? A critical review of femvertising (2020)'Make Lisle the Style': The Politics of Fashion in the Japanese Silk Boycott, 1937-1940 (2005)Media and Violence: Gendering the Debates (2005)Dress, transformation, and conformity in the heavy rock subculture (2015)For White Girls Only?: Postfeminism and the Politics of Inclusion (2013)Postfeminism, Femininities and Organization Studies: Exploring a New Agenda (2014)Role Models and Women Entrepreneurs: Entrepreneurial Superwoman Has Her Say (2018)Seeing “Straight” throughQueer Eye: Exposing the Strategic Rhetoric of Heteronormativity in a Mediated Ritual of Gay Rebellion (2006)The Myths That Made America (2014)Titillating Cuts (2018)Gender, Sexuality, and Toughness: The Bad Girls of Action Film and Comic Books (2004)Postfemininities in Popular Culture (2009)Violent Female Action Characters in Contemporary American Cinema (2010)Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value (2004)Foreword: “What Lies Beneath?” (2004)Horror Film and Psychoanalysis (2004)Distance, Surface, Elsewhere: A Feminist Critique of the Space of Phallocentric Self/Knowledge (1995)The king and eye: the rule of the father in Greek tragedy (1999)The Searching Camera: First-Person Shooters, Found-Footage Horror Films, and the Documentary Tradition (2019)‘Macho’ managers and organizational heroes: competing masculinities in popular films (2010)In Focus: Postfeminism and Contemporary Media Studies (2005)Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film (2008)“I Know Where You Keep Your Gun”: Daniel Craig as the Bond-Bond Girl Hybrid in Casino Royale (2011)
this work references cited by second hop

References

  • 2002Watching rape: film and television in postfeminist culture453 cited
  • 1991Commodity feminism200 cited
  • 1999Working girls: gender and sexuality in popular cinema193 cited
  • 1998Undressing cinema: clothing and identity in the movies180 cited
  • 2004The Action and Adventure Cinema124 cited
  • 2015Men, Women, and Chain Saws95 cited
  • 1999From 'figurative males' to action heroines: further thoughts on active women in the cinema81 cited
  • 2002Working Girls67 cited
  • 1986Chapter Five. The American Nightmare: Horror in the 70s48 cited
  • 1976Film Culture: 'Exploitation' films and feminism19 cited

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