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The concept of situational dramaturgy, a form of narrative construction inherited from nineteenth-century theatrical melodrama, reveals continuities between classical narrative and the "post-classical" action film. This essay argues that situations bridge spectacle and narrative, provide generative structures for action plots, and are enmeshed in the contemporary three-act structure.
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Stored only when both papers are in the corpus — 42 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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