SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film
7 references·6 citing·36 second hop
Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film (2008)Suspenseful Situations: Melodramatic Narr…THE THIRTY-SIX DRAMATIC SITUATIONS: (2017)THE THIRTY-SIX DRAMATIC SITUA…The way Hollywood tells it: story and style in modern movies (2006)The way Hollywood tells it: s…The Action and Adventure Cinema (2004)The Action and Adventure Cine…The End Of Cinema As We Know It: American Film in the Nineties (2001)The End Of Cinema As We Know …Melodrama and modernity: early sensational cinema and its contexts (2001)Melodrama and modernity: earl…Storytelling in the new Hollywood: understanding classical narrative technique (2000)Storytelling in the new Holly…Directing: Film Techniques and Aesthetics (1989)Directing: Film Techniques an…The Address of the Ass: D-BOX Motion Code, Personalized Surround Sound, and Focalized Immersive Spectatorship (2019)The Address of the Ass: D-BOX…Post-war Thai Cinema: Audiences and Film Style in a Divided Nation (2018)Post-war Thai Cinema: Audienc…Staying on, or Getting off (the Bus): Approaching Speed in Cinema and Media Studies (2016)Staying on, or Getting off (t…Hollywood and the ‘War on Terror’: Genre-Geopolitics and ‘Jacksonianism’ in The Kingdom (2011)Hollywood and the ‘War on Ter…Jason Bourne: Gender, Geopolitics, and Contemporary Representations of National Security (2010)Jason Bourne: Gender, Geopoli…The Practical Value of Theory: Teaching Aristotle's "Poetics" to Screenwriters (1970)The Practical Value of Theory…Verisimilitude and Film Story: The Links between Screenwriter, Character and Spectator (1970)Kinds of Literature: An Introduction to the Theory of Genres and Modes (1983)The Poetics of Aristotle Translation and Commentary (1987)Essays on Aristotle's Poetics (1994)Screenwriting and the higher degree by research: writing a screenplay for a creative practice PhD (2016)Valores y storytelling en los fashion films. El caso Tender Stories (2014-2017), de Tous (2018)Film/Genre (1999)The Logic of Masculinist Protection: Reflections on the Current Security State (2003)The Colonial Present (2004)Bond for the Age of Global Crises: 007 in the Daniel Craig Era (2013)Resurrecting the vigilante: paternal sovereignty, exceptionality and familial security inTaken(2008) andTaken 2(2013) (2014)Precarious Life: The Powers of Mourning and Violence (2004)THE STATE OF EXCEPTION (2005)Negotiating and queering US hegemony in TV drama: popular geopolitics and cultural studies (2014)How geopolitical becomes personal: Method acting, war films and affect (2019)Ways of Knowing in the Arts (2003)Notes on Collaboration: Assessing Student Behaviors (2009)‘When you have your back to the wall, everything becomes easy’: performance and direction in the films of Catherine Breillat (2014)The Attentional Theory of Cinematic Continuity (2012)Exhibiting Cinema in Contemporary Art (2013)Narrative theory and the dynamics of popular movies (2016)"MTV Aesthetics" at the Movies: Interrogating a Film Criticism Fallacy (2007)Mind-Tricking Narratives: Between Classical and Art-Cinema Narration (2013)“We Are All Workers” (2014)Storytelling in Earth sciences: The eight basic plots (2012)Psychological Construction in the OCC Model of Emotion (2013)Narrative Theory: A Critical Introduction (2016)Sell Me the Old, Old Story: Retromarketing Management and the Art of Brand Revival (2003)The Mind‐Game Film (2008)Mega-Melodrama! Vertical and Horizontal Suspensions of the “Classical” (2012)Death Every Afternoon (2003)Time and the Moment in Victorian Literature and Society (2011)Ecocinema Theory and Practice 2 (2022)In Focus: Postfeminism and Contemporary Media Studies (2005)“I Know Where You Keep Your Gun”: Daniel Craig as the Bond-Bond Girl Hybrid in Casino Royale (2011)Shaking and Stirring James Bond: Age, Gender, and Resilience in Skyfall (2012) (2014)
this work references cited by second hop

References

  • 2001Melodrama and modernity: early sensational cinema and its contexts454 cited
  • 2006The way Hollywood tells it: story and style in modern movies393 cited
  • 2000Storytelling in the new Hollywood: understanding classical narrative technique231 cited
  • 2004The Action and Adventure Cinema124 cited
  • 2001The End Of Cinema As We Know It: American Film in the Nineties110 cited
  • 1989Directing: Film Techniques and Aesthetics77 cited
  • 2017THE THIRTY-SIX DRAMATIC SITUATIONS:56 cited

Cited by

  • 2010Jason Bourne: Gender, Geopolitics, and Contemporary Representations of National Security24 cited
  • 2011Hollywood and the ‘War on Terror’: Genre-Geopolitics and ‘Jacksonianism’ in The Kingdom23 cited
  • 1970The Practical Value of Theory: Teaching Aristotle's "Poetics" to Screenwriters14 cited
  • 2016Staying on, or Getting off (the Bus): Approaching Speed in Cinema and Media Studies13 cited
  • 2018Post-war Thai Cinema: Audiences and Film Style in a Divided Nation8 cited
  • 2019The Address of the Ass: D-BOX Motion Code, Personalized Surround Sound, and Focalized Immersive Spectatorship6 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work