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The limits of fiction: politics and absent scenes in Susumu Hani’s Bad Boys (Furyō Shōnen, 1960). A film re-reading through its script
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The limits of fiction: politics and absent scenes in Susumu Hani’s Bad Boys (Furyō Shōnen, 1960). A film re-reading through its script (2018)The limits of fiction: politics and absen…Cinema of Actuality (2013)Cinema of ActualityTruth from a Lie: Documentary, Detection, and Reflexivity in Abe Kōbō's Realist Project (2011)Truth from a Lie: Documentary…The imperial screen: Japanese film culture in the Fifteen Years' War (2003)The imperial screen: Japanese…Japanese Documentary Film: The Meiji Era Through Hiroshima (2003)Japanese Documentary Film: Th…The Discourse of Pictures: Iconicity and Film Studies (1993)The Discourse of Pictures: Ic…Mr. Smith goes to Tokyo: Japanese cinema under the American occupation, 1945-1952 (1993)Mr. Smith goes to Tokyo: Japa…Em torno da nouvelle vague japonesa (1993)Em torno da nouvelle vague ja…Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema (1988)Eros Plus Massacre: An Introd…Eros Plus Massacre (1988)Eros Plus MassacreJapanese film directors (1978)Japanese film directorsLanguage, Thought, and Reality: Selected Writings of Benjamin Lee Whorf (1957)Constants across cultures in the face and emotion. (1971)Basic color terms: their universality and evolution. By Brent Berlin and Paul Kay. Berkeley & Los Angeles: University of California Press, 1969. Pp. xi, 178. $8.50. (1973)Science Consultants, Fictional Films, and Scientific Practice (2003)The Impact of Science Fiction Film on Student Understanding of Science (2006)A philosophy of cinematic art (2010)Taking traditional plots beyond the traditional theatre: Some modern versions of Ataka/Kanjinchō (1996)A short history of film (2008)Realist Cinema as World Cinema (2021)Reigniting Japanese Tradition with Hana-Bi (2001)The Emotional Geography of Shinjuku: The Case ofChikatetsu Hiroba(Underground Plaza, 1970) (2011)Contemporary Japanese Cinema Since Hana-Bi (2015)The Question of Translation in Taiwanese Colonial Cinematic Space (2011)The Cambridge History of Japanese Literature (2015)Early Film Culture in Hong Kong, Taiwan, and Republican China (2017)The debate on ‘Americanization’ among economic and cultural historians (2010)The Shape-Shifting Diva: Yamaguchi Yoshiko and the National Body (2014)The Soundproofed Superpower: American Bases and Japanese Communities, 1945–1972 (2016)#Safetytipsforladies: Feminist Twitter Takedowns of Victim Blaming (2015)Japan’s New Left and New Wave. An Ideology’s Perspective as an Alternative to That of National Cinema (2018)Theorizing the theory complex in Japanese film studies (2019)Systematization of Film Censorship in Colonial Korea: Profiteering from Hollywood’s First Golden Age, 1926–1936 (2005)‘Journey to the seat of war’: the international exhibition of China in early cinema (2009)Second Thoughts on “The Production of Outrage: The Iraq War and the Radical Documentary Tradition” (2015)
this work references cited by second hop

References

  • 2003The imperial screen: Japanese film culture in the Fifteen Years' War161 cited
  • 1993Mr. Smith goes to Tokyo: Japanese cinema under the American occupation, 1945-1952104 cited
  • 1978Japanese film directors99 cited
  • 1988Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema84 cited
  • 2013Cinema of Actuality62 cited
  • 2003Japanese Documentary Film: The Meiji Era Through Hiroshima58 cited
  • 1993The Discourse of Pictures: Iconicity and Film Studies49 cited
  • 1988Eros Plus Massacre33 cited
  • 1993Em torno da nouvelle vague japonesa9 cited
  • 2011Truth from a Lie: Documentary, Detection, and Reflexivity in Abe Kōbō's Realist Project6 cited

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