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Performing ‘L-ʿalwa’: a sacred and erotic journey in Morocco
16 references·0 citing·34 second hop
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References

  • 2020Formations of the Secular3,311 cited
  • 2002Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others2,371 cited
  • 1999Realm of the saint: power and authority in Moroccan Sufism279 cited
  • 1996Gender on the Market250 cited
  • 1973The Ḥamadsha222 cited
  • 1991Music and Dance: A Theory of the Relations Between Music and Possession.208 cited
  • 1998Realm of the Saint172 cited
  • 1976Moroccan Islam152 cited
  • 2007Traveling Spirit Masters140 cited
  • 2014Rebel music: race, empire, and the new Muslim youth culture133 cited
  • 2011Dictionary of African Biography122 cited
  • 1979Moroccan Islam: Tradition and Society in a Pilgrimage Center114 cited
  • 2003Music and Gender: Perspectives from the Mediterranean110 cited
  • 2008The Promise of Sonic Translation: Performing the Festive Sacred in Morocco97 cited
  • 2001Roads of Excess, Palaces of Wisdom: Eroticism and Reflexivity in the Study of Mysticism95 cited
  • 2007Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace

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