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Resistance and Resignation: Responses to Typecasting in British Acting
11 references·12 citing·48 second hop
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this work references cited by second hop

References

  • 1991Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color29,736 cited
  • 2004Space Invaders : Race, Gender and Bodies Out of Place1,676 cited
  • 2003Robust Identities or Nonentities? Typecasting in the Feature‐Film Labor Market591 cited
  • 2015Habitus Clivé and the Emotional Imprint of Social Mobility422 cited
  • 2015Gender and Creative Labour354 cited
  • 2012Becoming employable students and ‘ideal’ creative workers: exclusion and inequality in higher education work placements214 cited
  • 2002Representing Black Britain: A History of Black and Asian Images on British Television195 cited
  • 2015The Routledge Companion to the Cultural Industries193 cited
  • 2013“Creative Diversity”: UK Public Service Broadcasting After Multiculturalism102 cited
  • 2014Unpaid work in the UK television and film industries: Resistance and changing attitudes60 cited
  • 2003Typecasting33 cited

Cited by

  • 2021Drag Performers’ Perspectives on the Mainstreaming of British Drag: Towards a Sociology of Contemporary Drag29 cited
  • 2023How state influence on project work organization both drives and mitigates gendered precarity in cultural and creative industries24 cited
  • 2022“It’s All About the Look”: Making Sense of Appearance, Attractiveness, and Authenticity Online

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22 cited
  • 2019De-Colonizing Listening: Toward an Equitable Approach to Speech Training for the Actor16 cited
  • 2020Decentering Listening: Toward an Anti-Discriminatory Approach to Accent and Dialect Training for the Actor11 cited
  • 2020A pedagogy for twenty-first century actor training: intracultural theatre practice which embraces pluralistic identity and plays with difference9 cited
  • 2022The Body of a Performer as a Form of Capital: Age, Gender and Aesthetics in Theatre Work9 cited
  • 2022Who runs the arts in England? A social network analysis of arts boards8 cited
  • 2019The cultural policy puzzle7 cited
  • 2022Valuations of diversity: the role of marquee quotas in creative industries7 cited
  • 2023The role of higher education in sustainable creative careers: Exploring UK theatre graduates and theatre careers6 cited
  • 2020Young Women’s Aspirations and Transitions into, through and away from Contemporary Creative Work5 cited