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Although rock art images from the Limpopo River Valley were first mentioned in 1888, work on this aspect of the archaeological record of the area has been sporadic during this century. Since the early 1990s, however, Palaeo-Art Field Services, a rock art recording team based in Louis Trichardt, has surveyed the Limpopo-Shashi Confluence Area on both the South African and Zimbabwean sides. They have raised the number of documunted rock art sites from 40 to 120. This paper presents some of the results of this work. The paper does not set out to provide comprehensive arguments for the interpretation of the imagery; rather, it aims to re-introduce the anrt to a contemporary audience and point to some interesting features of the art of this region while suggesting possible interpretations as well as avenues for further research.
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