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RE-DISCOVERING THE ROCK ART OF THE LIMPOPO-SHASHI CONFLUENCE AREA, SOUTHERN AFRICA*
13 references·2 citing·38 second hop
RE-DISCOVERING THE ROCK ART OF THE LIMPOPO-SHASHI CONFLUENCE AREA, SOUTHERN AFRICA* (1999)RE-DISCOVERING THE ROCK ART OF THE LIMPOP…Red Lines and Arrows: Attributes of Supernatural Potency in San Rock Art of the Northern Province, South Africa and South-Western Zimbabwe (1999)Red Lines and Arrows: Attribu…The Waterberg Plateau in the Northern Province, Republic of South Africa, in the Later Stone Age (1998)The Waterberg Plateau in the …Women like Meat: The Folklore and Foraging Ideology of the Kalahari Ju/'hoan (1994)Women like Meat: The Folklore…Rock Engravings of Southern Africa (1994)Rock Engravings of Southern A…Gender, representation, and power in San ethnography and rock art (1992)Gender, representation, and p…Revelations of religious reality: The individual in San rock art (1988)Revelations of religious real…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Believing and Seeing: Symboli…Stone Age Myth and Magic (1976)Stone Age Myth and MagicMyth, Motive, and Selection in Southern African Rock Art (1972)Myth, Motive, and Selection i…The Medicine Dance of the ! Kung Bushmen (1969)The Medicine Dance of the ! K…Prehistory of the Transvaal : a record of human activity (1962)Prehistory of the Transvaal :…Animals in Lele Religious Symbolism (1957)Animals in Lele Religious Sym…Pygmies and Bushmen of the Kalahari (1925)Pygmies and Bushmen of the Ka…Past Imperfect : the contested early history of the Mapungubwe Archive (2018)Past Imperfect : the conteste…Test excavation at Lepokole Cave, eastern Botswana (2009)Test excavation at Lepokole C…Culture and Communication (1976)Advances in world archaeology (1984)Reconstructing Archaeology: Theory and Practice. (1994)Agency, art and altered consciousness: a motif in French (Quercy) Upper Palaeolithic parietal art (1997)Therianthropes in San Rock Art (2002)Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images (2004)The Golden Bough (1922)The Forest of Symbols: Aspects of Ndembu Ritual (1970)Sapience and scarce resources: Communication systems of the !Kung and other foragers (1978)Stones and Shafts Redux: The Metric Discrimination of Chipped-Stone Dart and Arrow Points (1997)Purity and Danger (2003)Genesis of Symbolic Thought (2012)Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)Social agency and the dynamics of prehistoric technology (1994)The Human Symbolic Revolution: A Darwinian Account (1995)Programme to Practice: Gender and Feminism in Archaeology (1997)Sharing, Talking, and Giving: Relief of Social Tensions among !Kung Bushmen (1961)Peer Polity Interaction and Socio-political Change (1986)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)Embers of society: Firelight talk among the Ju/’hoansi Bushmen (2014)Expressions of fertility in the rock art of Bantu-speaking agriculturists (1994)Sally's Rockshelter and the Archaeology of the Vision Quest (1999)Discontinuities in hunter-gatherer prehistory in southern African drylands (2016)The Sexual Status of Vestal Virgins (1980)Mirrors and Windows: Sociocultural Studies of Human-Animal Relationships (1999)Who Cares About Wildlife? (2008)The Cambridge History of Africa (1975)Anthropology and the Bushman (2007)Thinking a Bow-and-arrow Set: Cognitive Implications of Middle Stone Age Bow and Stone-tipped Arrow Technology (2012)Style and Social Information in Kalahari San Projectile Points (1983)Reconsidering the behavioral basis for style: A case study among the Kalahari San (1984)The Invention of Technology (2004)Technological Trends in the Middle Stone Age of South Africa between MIS 7 and MIS 3 (2013)The Emergence of Habitual Ochre Use in Africa and its Significance for The Development of Ritual Behavior During The Middle Stone Age (2022)Hunting, healing, and hxaro exchange (2002)Cooperation and the evolution of hunter-gatherer storytelling (2017)
this work references cited by second hop

References

  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 1969The Medicine Dance of the ! Kung Bushmen178 cited
  • 1994Women like Meat: The Folklore and Foraging Ideology of the Kalahari Ju/'hoan158 cited
  • 1957Animals in Lele Religious Symbolism121 cited
  • 1925Pygmies and Bushmen of the Kalahari96 cited
  • 1972Myth, Motive, and Selection in Southern African Rock Art82 cited
  • 1992Gender, representation, and power in San ethnography and rock art80 cited
  • 1988Revelations of religious reality: The individual in San rock art63 cited
  • 1994Rock Engravings of Southern Africa57 cited
  • 1962Prehistory of the Transvaal : a record of human activity39 cited
  • 1976Stone Age Myth and Magic34 cited
  • 1998The Waterberg Plateau in the Northern Province, Republic of South Africa, in the Later Stone Age25 cited
  • 1999Red Lines and Arrows: Attributes of Supernatural Potency in San Rock Art of the Northern Province, South Africa and South-Western Zimbabwe18 cited

Cited by

  • 2018Past Imperfect : the contested early history of the Mapungubwe Archive3 cited
  • 2009Test excavation at Lepokole Cave, eastern Botswana

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