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Beyond the Essayistic: Defining the Varied Modal Origins of Videographic Criticism
5 references·0 citing·12 second hop
Beyond the Essayistic: Defining the Varied Modal Origins of Videographic Criticism (2017)Beyond the Essayistic: Defining the Varie…Film Studies in Motion: From Audiovisual Essay to Academic Research Video (2016)Film Studies in Motion: From …The essay film: from Montaigne, after Marker (2012)The essay film: from Montaign…The Language and Style of Film Criticism (2011)The Language and Style of Fil…Beyond the multiplex: cinema, new technologies, and the home (2006)Beyond the multiplex: cinema,…Introduction to documentary (2002)Introduction to documentary‘Criticism’: Notes on the Circulation of Cultural Judgement (2013)The Permanent Crisis of Film Criticism. The Anxiety of Authority (2014)Roundtable: Remix and Videographic Criticism (2017)Modes of interactivity: analysing the webdoc (2012)Exhibiting Cinema in Contemporary Art (2013)The Living Documentary: from representing reality to co-creating reality in digital interactive documentary (2013)Composing in Fragments: Music in the Essay Films of Resnais and Godard (2012)Feeling the Reel of the Real: Framing the Play of Critically Affective Organizational Research between Art and the Everyday (2017)Affirmation in the Dark: Racial Slavery and Philosophical Pessimism (2019)RELOCATING AMERICAN FILM HISTORY (2006)Anime fandom and the liminal spaces between fan creativity and piracy (2011)Implicatures in film: Construal and functions in Bridget Jones romantic comedies (2011)
this work references cited by second hop

References

  • 2002Introduction to documentary1,606 cited
  • 2006Beyond the multiplex: cinema, new technologies, and the home310 cited
  • 2012The essay film: from Montaigne, after Marker228 cited
  • 2011The Language and Style of Film Criticism46 cited
  • 2016Film Studies in Motion: From Audiovisual Essay to Academic Research Video11 cited

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