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Seeing without Feeling: Muybridge’s Boxing Pictures and the Rise of the Bourgeois Film Spectator
16 references·0 citing·29 second hop
Seeing without Feeling: Muybridge’s Boxing Pictures and the Rise of the Bourgeois Film Spectator (2014)Seeing without Feeling: Muybridge’s Boxin…The Manly Art (2019)The Manly ArtThe Interpretation of Cultures (2017)The Interpretation of CulturesBeyond the Pleasure Principle (2015)Beyond the Pleasure PrinciplePolicing cinema: movies and censorship in early-twentieth-century America (2004)Policing cinema: movies and c…The Emergence of Cinematic Time: Modernity, Contingency, the Archive (2002)The Emergence of Cinematic Ti…Viewing positions: ways of seeing film (1995)Viewing positions: ways of se…Picturing time: the work of Etienne-Jules Marey (1830-1904) (1993)Picturing time: the work of E…The Address of the Eye (1992)The Address of the EyeBabel and Babylon: Spectatorship in American Silent Film. (1992)Babel and Babylon: Spectators…The emergence of cinema : the American screen to 1907 (1990)The emergence of cinema : the…Life to those shadows (1990)Life to those shadowsHard core: power, pleasure, and "the frenzy of the visible" (1990)Hard core: power, pleasure, a…The Subject of Semiotics (1984)The Subject of SemioticsLe signifiant imaginaire (1975)Le signifiant imaginaireIdeological Effects of the Basic Cinematographic Apparatus (1974)Ideological Effects of the Ba…Course in General Linguistics (1960)Course in General LinguisticsFilm Bodies: Gender, Genre, and Excess (1991)Fifty Key Concepts in Gender Studies (2004)Aggression and Sexual Behavior in Best-Selling Pornography Videos: A Content Analysis Update (2010)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Intensities of feeling: towards a spatial politics of affect (2004)The Cinema of Attractions Reloaded (2006)A cognitive (attribution)-emotion-action model of motivated behavior: An analysis of judgments of help-giving. (1980)Emotional intelligence and the construction and regulation of feelings (1995)Navigating Into the Future or Driven by the Past (2013)Alternative Shakespeares (1987)Anthropology and Mass Media (1993)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Foreign Policy as Social Construction: A Post-Positivist Analysis of U.S. Counterinsurgency Policy in the Philippines (1993)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Speaking of Fashion: Consumers' Uses of Fashion Discourses and the Appropriation of Countervailing Cultural Meanings (1997)Les luttes pour la visibilité (2005)What's the Point of an Index? or, Faking Photographs (2008)Embodying movies: Embodied simulation and film studies (2012)Culture in Action: Symbols and Strategies (1986)Managing Legitimacy: Strategic and Institutional Approaches (1995)Framing Processes and Social Movements: An Overview and Assessment (2000)Moving image theory: ecological considerations (2005)New Vocabularies in Film Semiotics (2005)Techniques of Inattention: The Mediality of Loudspeakers in Nigeria (2014)The ontogenesis of speech acts (1975)Natural language and natural selection (1990)Discourse Analysis as Theory and Method (2002)In Your Face: Physiognomy, Photography, and the Gnostic Mission of Early Film (1997)Rethinking Research Ethics, Power, and the Risk of Visibility in the Era of the “Alt-Right” Gaze (2018)
this work references cited by second hop

References

  • 2017The Interpretation of Cultures16,449 cited
  • 2015Beyond the Pleasure Principle5,275 cited
  • 1960Course in General Linguistics3,023 cited
  • 1990Hard core: power, pleasure, and "the frenzy of the visible"1,584 cited
  • 1992The Address of the Eye1,199 cited
  • 2002The Emergence of Cinematic Time: Modernity, Contingency, the Archive1,051 cited
  • 1974Ideological Effects of the Basic Cinematographic Apparatus607 cited
  • 1984The Subject of Semiotics527 cited
  • 1995Viewing positions: ways of seeing film438 cited
  • 1992Babel and Babylon: Spectatorship in American Silent Film.408 cited
  • 1993Picturing time: the work of Etienne-Jules Marey (1830-1904)360 cited
  • 1975Le signifiant imaginaire281 cited
  • 1990The emergence of cinema : the American screen to 1907174 cited
  • 2004Policing cinema: movies and censorship in early-twentieth-century America172 cited
  • 1990Life to those shadows170 cited
  • 2019The Manly Art148 cited

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