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Identificaciones y vinculaciones: una propuesta de intersección para analizar la música “indie” de la ciudad de La Plata en los años 2000
10 references·0 citing·43 second hop
Identificaciones y vinculaciones: una propuesta de intersección para analizar la música “indie” de la ciudad de La Plata en los años 2000 (2017)Identificaciones y vinculaciones: una pro…Indie: The Institutional Politics and Aesthetics of a Popular Music Genre (2017)Indie: The Institutional Poli…Popular Music, Independence and the Concept of the Alternative in Contemporary Capitalism (2014)Popular Music, Independence a…‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)‘… This little ukulele tells …Indie Culture: In Pursuit of the Authentic Autonomous Alternative (2009)Indie Culture: In Pursuit of …DISLOCATING SOUNDS: The Deterritorialization of Indonesian Indie Pop (2009)DISLOCATING SOUNDS: The Deter…Does indie mean independence? Freedom and restraint in a late 1990s US college radio community (2008)Does indie mean independence?…Portrait de l’artiste en travailleur (2002)Portrait de l’artiste en trav…Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade (1997)Post-Punk's attempt to democr…Re-examining the concept of the ‘independent’ record company: the case of Wax Trax! records (1995)Re-examining the concept of t…Systems of articulation, logics of change: Communities and scenes in popular music (1991)Systems of articulation, logi…Keywords: A Vocabulary of Culture and Society (1977)Competitive Strategy: Techniques for Analyzing Industries and Competitors (1980)Competitive Advantage: Creating and Sustaining Superior Performance (1985)From lyric to anti-lyric: analyzing the words in pop song (2003)Friends Don't Let Friends Listen to Corporate Rock (2007)Micro-independent record labels in the UK (2007)Club cultures: music, media and subcultural capital (1996)The long tail: why the future of business is selling less of more (2007)NPR Music: Remediation, curation, and National Public Radio in the digital convergence era (2016)Distinction: A Social Critique of the Judgement of Taste* (2018)Un ejemplo de oxímoron en música: el indie en España, una escena comercial (2018)Building Subcultural Community Online and Off: An Ethnographic Analysis of the CBLocals Music Scene (2022)Radio reader: essays in the cultural history of radio (2002)Radio Reader: Essays in the Cultural History of Radio (2003)Site and sound : understanding independent music scenes (2003)Reviewing Net-only College Radio: A Case Study of Brooklyn College Radio (2010)Circulation, Value, Exchange, and Music (2020)HIPSTERS VERSUS POSERS: FANNISH SPLIT IN THE INDIE MUSIC WORLD (2021)Outline of a Theory of Practice (1977)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Modernity at Large: Cultural Dimensions of Globalization. (1998)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Social distribution: K-pop fan practices in Indonesia and the ‘Gangnam Style’ phenomenon (2013)The Hybrid Media System (2017)Cycles in Symbol Production: The Case of Popular Music (1975)Concentration and Diversity Revisited: Production Logics and the U.S. Mainstream Recording Market, 1940-1990 (2004)Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction (2004)On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (1986)We gotta get out of this place: popular conservatism and postmodern culture (1992)On Longing (1993)Blacker than Death: Recollecting the “Black Turn” in Metal Aesthetics (2013)The Cambridge Companion to the Singer-Songwriter (2016)DIY Music and the Politics of Social Media (2020)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)Subcultures, Scenes or Tribes? None of the Above (2005)European academic labor markets in transition (2005)Key Challenges to the Academic Profession (2007)Back to the Future? The Academic Professions in the 21st Century (2008)Consumption field driven entrepreneurship (CFDE) (2018)Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)From audio broadcasting to video streaming: The impact of digitalization on music broadcasting among the Swedish-speaking minority of Finland (2019)The Values of Independent Hip-Hop in the Post-Golden Era (2019)“Genrefluid” Spotify Playlists and Mediations of Genre and Identity in Music Streaming (2023)
this work references cited by second hop

References

  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 1997Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade198 cited
  • 1995Re-examining the concept of the ‘independent’ record company: the case of Wax Trax! records146 cited
  • 2010‘… This little ukulele tells the truth’: indie pop and kitsch authenticity126 cited
  • 2002Portrait de l’artiste en travailleur103 cited
  • 2009Indie Culture: In Pursuit of the Authentic Autonomous Alternative96 cited
  • 2009DISLOCATING SOUNDS: The Deterritorialization of Indonesian Indie Pop80 cited
  • 2014Popular Music, Independence and the Concept of the Alternative in Contemporary Capitalism68 cited
  • 2008Does indie mean independence? Freedom and restraint in a late 1990s US college radio community32 cited
  • 2017Indie: The Institutional Politics and Aesthetics of a Popular Music Genre31 cited

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