SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Mourning the lost days of perestroika in Balabanov’sBrother
16 references·0 citing·30 second hop
Mourning the lost days of perestroika in Balabanov’sBrother (2017)Mourning the lost days of perestroika in …About Killers, Freaks, and Real Men: (2018)About Killers, Freaks, and Re…Cinepaternity: fathers and sons in Soviet and post-Soviet film (2010)Cinepaternity: fathers and so…The Imperial Trace (2009)The Imperial TraceThe body in the dark: body, sexuality and trauma in perestroika cinema (2009)The body in the dark: body, s…Prehistories and Afterlives: The Packaging and Re-packaging of Soviet Rock (2009)Prehistories and Afterlives: …Russian War Films (2007)Russian War FilmsPride and Panic: Russian Imagination of the West in Post-Soviet Film (2007)Pride and Panic: Russian Imag…Overkill: Sex and Violence in Contemporary Russian Popular Culture (2007)Overkill: Sex and Violence in…Before the Fall: Soviet Cinema in the Gorbachev Years (2007)Before the Fall: Soviet Cinem…Soviet and Russian Blockbusters: A Question of Genre? (2003)Soviet and Russian Blockbuste…National Identity, Cultural Authority, and the Post-Soviet Blockbuster: Nikita Mikhalkov and Aleksei Balabanov (2003)National Identity, Cultural A…IN SEARCH OF AN AUDIENCE: (1999)IN SEARCH OF AN AUDIENCE:GAGARIN AND THE RAVE KIDS: (1999)GAGARIN AND THE RAVE KIDS:The Zero Hour: Glasnost and Soviet Cinema in Transition (1993)The Zero Hour: Glasnost and S…The Zero Hour (1992)The Zero HourBack in the USSR; The True Story of Rock in Russia (1988)Back in the USSR; The True St…The Soviet Novel: History as Ritual (1982)Stalinism and Soviet cinema (1994)Post-Soviet Russian Film and the Trauma of Globalization (2004)History as a propaganda tool in Putin’s Russia (2010)Gendering the American Enemy in Early Cold War Soviet Films (1946–1953) (2017)Russian popular culture: entertainment and society since 1900 (1993)The complete film dictionary (1999)Film Theory: An Introduction (2000)From Spectator to "Differentiated" Consumer: Film Audience Research in the Era of Developed Socialism (1965–80) (2008)Soviet-Indian Coproductions: Alibaba as Political Allegory (2010)Anti-Oedipus: Capitalism and Schizophrenia. (1978)The great disruption: human nature and the reconstitution of social order (1999)A Poetics of Postmodernism (2003)From Tikhie to Gromkie : The Discursive Strategies of the Putin-Era Auteurs (2018)Selling the Post-Communist Female Body (2012)Homosexuality and hypermasculinity in the public discourse of the Russian Orthodox Church: an affect theoretical approach (2013)Micromusics of the West: A Comparative Approach (1992)Mixing pop and politics: rock music in Czechoslovakia before and after the Velvet Revolution (1992)Soviet Hegemony of Form: Everything Was Forever, Until It Was No More (2003)Fragmented Mythologies: Soviet TV Mini-Series of the 1970s (2003)The cultural logic of late socialism (2009)SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES (2013)The tale of two turns: Khrustalev, My Car! and the cinematic memory of the Soviet past (2010)Cultures and Communities in the Anthropology of Eastern Europe and the Former Soviet Union (2000)Necro‐Utopia (2008)Cultural memory, underground and mainstream culture reminiscences in the Czech Republic (2019)Stalin's Cinematic Charisma: Between History and Nostalgia (1992)Remembering war, remaining Soviet: Digital commemoration of World War II in Putin’s Russia (2015)From Media Systems to Media Cultures (2018)Globalized Socialism, Nationalized Time: Soviet Films, Albanian Subjects, and Chinese Audiences across the Sino-Soviet Split (2018)
this work references cited by second hop

References

  • 2007Overkill: Sex and Violence in Contemporary Russian Popular Culture114 cited
  • 2009The Imperial Trace101 cited
  • 1988Back in the USSR; The True Story of Rock in Russia66 cited
  • 2007Russian War Films65 cited
  • 2003National Identity, Cultural Authority, and the Post-Soviet Blockbuster: Nikita Mikhalkov and Aleksei Balabanov55 cited
  • 1992The Zero Hour29 cited
  • 1993The Zero Hour: Glasnost and Soviet Cinema in Transition27 cited
  • 2003Soviet and Russian Blockbusters: A Question of Genre?25 cited
  • 1999GAGARIN AND THE RAVE KIDS:22 cited
  • 2010Cinepaternity: fathers and sons in Soviet and post-Soviet film21 cited
  • 2007Before the Fall: Soviet Cinema in the Gorbachev Years20 cited
  • 2018About Killers, Freaks, and Real Men:18 cited
  • 2007Pride and Panic: Russian Imagination of the West in Post-Soviet Film12 cited
  • 2009The body in the dark: body, sexuality and trauma in perestroika cinema8 cited
  • 1999IN SEARCH OF AN AUDIENCE:7 cited
  • 2009Prehistories and Afterlives: The Packaging and Re-packaging of Soviet Rock6 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

No citing works inside the corpus for this window.