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Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments

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References

2007Pigment Compendium: A Dictionary of Historical Pigments470 cited
2013A mobile instrument for in situ scanning macro-XRF investigation of historical paintings264 cited
1996Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy127 cited
1960The craftsman's handbook : the Italian "Il libro dell' arte"120 cited
2014Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography116 cited
2008Pigment analysis by Raman microscopy of the non‐figurative illumination in 16th‐ to 18th‐century Islamic manuscripts97 cited
2015Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analyses94 cited
2000Comparative pigment analysis of six modern Egyptian papyri and an authentic one of the 13th century BC by Raman microscopy and other techniques87 cited
2016Analytical imaging studies of the migration of degraded orpiment, realgar, and emerald green pigments in historic paintings and related conservation issues83 cited
2015Macro X-ray fluorescence (MA-XRF) scanning of illuminated manuscript fragments: potentialities and challenges76 cited
2004Raman spectroscopic analysis of pigments from dynastic Egyptian funerary artefacts70 cited
2016Visualization of As( iii ) and As( v ) distributions in degraded paint micro-samples from Baroque- and Rococo-era paintings64 cited

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2013

Scanning XRF investigation of a Flower Still Life and its underlying composition from the collection of the Kröller–Müller Museum

57 cited

2015Chemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanning56 cited

1999Medieval and Renaissance treatises on the arts of painting : original texts with English translations50 cited

2000Still Lifes: Techniques and Style : An Examination of Paintings from the Rijksmuseum15 cited

Cited by

2019Degradation of red lead pigment in the oil painting during UV aging29 cited
2018Study of dry‐ and wet‐process amorphous arsenic sulfides: Synthesis, Raman reference spectra, and identification in historical art materials27 cited
2019Evidence of early amorphous arsenic sulfide production and use in Edo period Japanese woodblock prints by Hokusai and Kunisada23 cited
2020Parchments and coloring materials in two IXth century manuscripts: On-site non-invasive multi-techniques investigation21 cited
2019The evolution of the materials used in the yun technique for the decoration of Burmese objects: lacquer, binding media and pigments19 cited
2025Advanced X-ray techniques to study the alteration of pigments in paintings17 cited
2021Comparison and characterization of pigments and dyes by Raman spectroscopy14 cited