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Being There: Gothic Violence and Virtuality in Frankenstein, Dracula, and Strange Days
16 references·2 citing·29 second hop
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References

  • 1980Writing and Difference7,689 cited
  • 1984Reading for the plot : design and intention in narrative2,553 cited
  • 2001How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics2,141 cited
  • 2001Écrits: A Selection2,100 cited
  • 1988Technologies of Gender: Essays on Theory, Film, and Fiction1,366 cited
  • 1984Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism1,258 cited
  • 1990Discourse Networks, 1800/19001,247 cited
  • 1994Over Her Dead Body: Death, Femininity and the Aesthetic1,016 cited
  • 1985Alice Doesn't: Feminism, Semiotics, Cinema673 cited
  • 2023The Coherence of Gothic Conventions533 cited
  • 1984The Subject of Semiotics527 cited
  • 1998Skin Shows: Gothic Horror and the Technology of Monsters425 cited
  • 2015Men, Women, and Chain Saws: Gender in the Modern Horror Film388 cited
  • 1992Romanticism and Gender254 cited
  • 1989Mary Shelley: Her Life, Her Fiction, Her Monsters184 cited
  • 1996The Gothic body sexuality, materialism, and degeneration at the fin de siècle158 cited

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Cited by

  • 2014Frankenstein ; or, the Modern Protagonist22 cited
  • 2010Vamping up Sex: Audience, Age, & Portrayals of Sexuality in Vampire Narratives6 cited