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“Spellbound in darkness”
12 references·0 citing·34 second hop
“Spellbound in darkness” (2017)“Spellbound in darkness”“Film Experience and the Formation of Illusion: The Spectator as ‘Surrogate Body’ for the Cinema,” by Christiane Voss (2011)“Film Experience and the Form…Carnal Thoughts (2004)Carnal ThoughtsNarrative as virtual reality: immersion and interactivity in literature and electronic media (2001)Narrative as virtual reality:…Moving pictures: a new theory of film genres, feelings, and cognition (1998)Moving pictures: a new theory…Hamlet on the holodeck: the future of narrative in cyberspace (1997)Hamlet on the holodeck: the f…Engaging characters: fiction, emotion, and the cinema (1996)Engaging characters: fiction,…The Address of the Eye (1992)The Address of the EyeFilm Bodies: Gender, Genre, and Excess (1991)Film Bodies: Gender, Genre, a…Mystifying Movies (1988)Mystifying MoviesHer Body, Himself: Gender in the Slasher Film (1987)Her Body, Himself: Gender in …The Fiction Film and Its Spectator: A Metapsychological Study (1976)The Fiction Film and Its Spec…Language and Cinema (1974)Language and CinemaVisual Pleasure and Narrative Cinema (1975)Home is where the heart is: studies in melodrama and the woman's film (1988)Hard core: power, pleasure, and "the frenzy of the visible" (1990)What Does It Mean to Be an American? Patriotism, Nationalism, and American Identity After 9/11 (2004)The Corporeal Image (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Other Victorians: A Study of Sexuality and Pornography in Mid-Nineteenth-Century England (1966)WHY HORROR? THE PECULIAR PLEASURES OF A POPULAR GENRE (1997)Seductions of the “Honor Crime” (2011)Cato the Censor and the beginnings of Latin prose: from poetic translation to elite transcription (2012)Virtual interaction: Design factors affecting student satisfaction and perceived learning in asynchronous online courses (2001)Measures of Perceived Interactivity: An Exploration of the Role of Direction of Communication, User Control, and Time in Shaping Perceptions of Interactivity (2002)From Content to Context: Videogames as Designed Experience (2006)A Cultural Approach to Television Genre Theory (2001)Moving image theory: ecological considerations (2005)Film tourism – Evolution, progress and prospects (2012)Some Like It Bad: Testing a Model for Perceiving and Experiencing Fictional Characters (2005)The Function of Fiction is the Abstraction and Simulation of Social Experience (2008)WILL THE REAL EMPATHY PLEASE STAND UP? A CASE FOR A NARROW CONCEPTUALIZATION (2011)The Language of New Media (2002)The Cambridge Introduction to Narrative (2008)Basic Elements of Narrative (2009)Les luttes pour la visibilité (2005)What's the Point of an Index? or, Faking Photographs (2008)Embodying movies: Embodied simulation and film studies (2012)FINGERYEYES: Impressions of Cup Corals (2010)Posthuman Critical Theory (2016)A Theoretical Framework for the Critical Posthumanities (2018)Addiction, stigma and movies (2003)False intimacy: close-ups and viewer involvement in wildlife films1 (2003)Recycled Culture in Contemporary Art and Film (2003)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)Multimodality, resemiotization: extending the analysis of discourse as multi-semiotic practice (2003)Sympathy and Empathy: Emotional Responses to Advertising Dramas (2003)
this work references cited by second hop

References

  • 1997Hamlet on the holodeck: the future of narrative in cyberspace2,802 cited
  • 2004Carnal Thoughts1,296 cited
  • 1991Film Bodies: Gender, Genre, and Excess1,241 cited
  • 1992The Address of the Eye1,223 cited
  • 2001Narrative as virtual reality: immersion and interactivity in literature and electronic media1,071 cited
  • 1996Engaging characters: fiction, emotion, and the cinema766 cited
  • 1974Language and Cinema580 cited
  • 1998Moving pictures: a new theory of film genres, feelings, and cognition381 cited
  • 1987Her Body, Himself: Gender in the Slasher Film218 cited
  • 1988Mystifying Movies197 cited
  • 1976The Fiction Film and Its Spectator: A Metapsychological Study44 cited
  • 2011“Film Experience and the Formation of Illusion: The Spectator as ‘Surrogate Body’ for the Cinema,” by Christiane Voss27 cited

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