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Writing Women, Writing Wax: Metaphors of Impression—Possibilities of Agency in Shakespeare's Rape of Lucrece and Twelfth Night
16 references·0 citing·34 second hop
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References

  • 1997Impersonations: the performance of gender in Shakespeare's England295 cited
  • 2005Humoring the body: emotions and the Shakespearean stage240 cited
  • 1993Desire and anxiety: circulations of sexuality in Shakespearean drama231 cited
  • 1988The Surprising Effects of Sympathy: Marivaux, Diderot, Rousseau, and Mary Shelley.183 cited
  • 1981The Renaissance Notion of Woman: A Study in the Fortunes of Scholasticism and Medical Science in European Intellectual Life169 cited
  • 2004Hamlet's Tables and the Technologies of Writing in Renaissance England163 cited
  • 1988Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe143 cited
  • 2000:Maids and Mistresses, Cousins and Queens: Women's Alliances in Early Modern England124 cited
  • 1979The Tudor Coinage82 cited
  • 1998Effacing Rape in Early Modern Representation63 cited
  • 2005Printing and Parenting in Early Modern England60 cited
  • 1986Taking Tropes Seriously: Language and Violence in Shakespeare's Rape of Lucrece58 cited
  • 1992Trials of Authorship: Anterior Forms and Poetic Reconstruction from Wyatt to Shakespeare52 cited
  • 1998Reading and Writing in Shakespeare38 cited
  • 2010Women in Shakespeare: a dictionary

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  • 2002Shakespeare's hand20 cited
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