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Framing culture: VCD music videos and the politics of genre in the Peruvian Andes
16 references·0 citing·32 second hop
Framing culture: VCD music videos and the politics of genre in the Peruvian Andes (2017)Framing culture: VCD music videos and the…Rampant Reproduction and Digital Democracy: Shifting Landscapes of Music Production and ‘Piracy’ in Bolivia (2010)Rampant Reproduction and Digi…Music Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…Performing Kinship: Narrative, Gender, and the Intimacies of Power in the Andes (2008)Performing Kinship: Narrative…Performing Kinship (2008)Performing KinshipMusic and the poetics of production in the Bolivian Andes (2007)Music and the poetics of prod…Genre in Popular Music (2007)Genre in Popular MusicThe Expediency of Culture (2003)The Expediency of CultureSounding Indigenous: Authenticity in Bolivian Music Performance (2002)Sounding Indigenous: Authenti…Sounding Indigenous (2002)Sounding IndigenousDebating the past: music, memory, and identity in the Andes (2002)Debating the past: music, mem…Culture sits in places: reflections on globalism and subaltern strategies of localization (2001)Culture sits in places: refle…Analysing Musical Multimedia (2001)Analysing Musical MultimediaGlobal Pop: World Music, World Markets (1998)Global Pop: World Music, Worl…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Moving away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration (1994)Moving away from Silence: Mus…Moving Away from Silence (1993)Moving Away from SilencePlace and Placelessness (1978)The consequences of modernity (1990)We have never been modern (1994)Geographies of responsibility (2004)Human geography without scale (2005)Cultural dimensions of climate change impacts and adaptation (2012)Special Section: Transnational Public Sphere: Transnationalizing the Public Sphere (2007)Ethnographies of Neoliberalism (2010)The Global Right Wing and the Clash of World Politics (2012)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)The Production of Culture Perspective (2004)Managing visibility on YouTube through algorithmic gossip (2019)Theorizing Musical Meaning (2001)Seeing music performance: Visual influences on perception and experience (2005)Multimodal Metaphor in Ten Dutch TV Commercials (2007)A Sweet Lullaby for World Music (2000)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)The Visible Evidence of Cultural Producers (2000)Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations (2003)Time, Place, and Metaphor in Musical Experience and Ethnography (2003)Embodied Matters:Bolivian Fantasyand Indigenismo (2006)The Devil in Nationalism: Indigenous Heritage and the Challenges of Decolonization (2016)"There is a Culture Here": Spectacle and the Inculcation of Folklore in Highland Bolivia (1998)Inside the Hispanic Melting Pot: Negotiating National and Multicultural Identities among Peruvians in the United States (2005)Constructing cosmoscapes (2020)The economy of live music in the digital age (2010)Control, curation and musical experience in streaming music services (2015)What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music (2017)
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References

  • 2001Culture sits in places: reflections on globalism and subaltern strategies of localization1,668 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 2003The Expediency of Culture1,045 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 1998Global Pop: World Music, World Markets402 cited
  • 2001Analysing Musical Multimedia290 cited
  • 2007Genre in Popular Music262 cited
  • 1993Moving Away from Silence147 cited
  • 1994Moving away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration140 cited
  • 2002Sounding Indigenous112 cited
  • 2008Performing Kinship104 cited
  • 2007Music and the poetics of production in the Bolivian Andes101 cited
  • 2010Rampant Reproduction and Digital Democracy: Shifting Landscapes of Music Production and ‘Piracy’ in Bolivia83 cited
  • 2008Performing Kinship: Narrative, Gender, and the Intimacies of Power in the Andes75 cited
  • 2002Debating the past: music, memory, and identity in the Andes68 cited
  • 2002Sounding Indigenous: Authenticity in Bolivian Music Performance

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