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The Bone Black Pigment Identification by Noninvasive, In Situ Infrared Reflection Spectroscopy

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2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments277 cited
1983The Characterization of Pigments Based on Carbon115 cited
2013Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy107 cited
2011Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment105 cited
2007Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884)105 cited
2008A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials95 cited
2004Identification of black pigments on prehistoric Southwest American potsherds by infrared and Raman microscopy91 cited
2010On the Use of Overtone and Combination Bands for the Analysis of the CaSO4—H2O System by Mid-Infrared Reflection Spectroscopy82 cited
2007Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting72 cited
2006Non-invasive and non-destructive micro-XRF and micro-Raman analysis of a decorative wallpaper from the beginning of the 19th century63 cited
2008Characterization of Pousão Pigments and Extenders by Micro-X-ray Diffractometry and Infrared and Raman Microspectroscopy54 cited
2011Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I. non-invasive in situ investigations

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