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Gender and Cartoons from Theaters to Television: Feminist Critique on the Early Years of Cartoons
15 references·0 citing·30 second hop
Gender and Cartoons from Theaters to Television: Feminist Critique on the Early Years of Cartoons (2018)Gender and Cartoons from Theaters to Tele…Girl Cartoons Second Wave: Transforming the Genre (2015)Girl Cartoons Second Wave: Tr…Alice in Cartoonland: Childhood, Gender, and Imaginary Space in Early Disney Animation (2014)Alice in Cartoonland: Childho…Understanding Animation (2013)Understanding AnimationDialectic of Enlightenment, 2011 (2011)Dialectic of Enlightenment, 2…The encyclopedia of animated cartoons (2009)The encyclopedia of animated …The Animated Man (2007)The Animated ManHollywood flatlands: animation, critical theory and the avant-garde (2003)Hollywood flatlands: animatio…Animation: Genre and Authorship (2002)Animation: Genre and Authorsh…Saturday morning censors: television regulation before the V-chip (1999)Saturday morning censors: tel…Hollywood Cartoons (1999)Hollywood CartoonsReading the rabbit: explorations in Warner Bros. animation (1998)Reading the rabbit: explorati…Redeeming the wasteland: television documentary and Cold War politics (1996)Redeeming the wasteland: tele…From mouse to mermaid: the politics of film, gender, and culture (1996)From mouse to mermaid: the po…From Mouse to Mermaid (1995)From Mouse to MermaidThe American Animated Cartoon: A Critical Anthology (1980)The American Animated Cartoon…Woman and Nature: The Roaring Inside Her. (1980)The Disneyization of Society (1999)Damsels in Discourse: Girls Consuming and Producing Identity Texts Through Disney Princess Play (2009)I AM an Angry Black Woman: Black Feminist Autoethnography, Voice, and Resistance (2012)Marxism and media studies: key concepts and contemporary trends (2004)Archives, Collectors, and the New Media Work of Comics (2006)Animation and Automation – The Liveliness and Labours of Bodies and Machines (2012)Documentary Screens: Non-Fiction Film and Television (2004)Revolution Televised: Prime Time and the Struggle for Black Power (2004)Critical Media Industry Studies: A Research Approach (2009)Dead Geographies—And How to Make Them Live (2000)Creativity and its Discontents (2012)Creativity and Its Discontents (2012)Memory Unbound (2002)Visible Identities (2006)A General Theory of Domination and Justice (2010)“First Principles” of Animation (2014)1 : : Animation and History (2014)Animating the Instant (2014)Construction of the Female Self: Feminist Readings of the Disney Heroine (1996)“Be Your Own Windkeeper”: Friends , Feminism, and Rhetorical Strategies of Depoliticization (2006)Whistle While You Work? Disney Animation, Organizational Readiness and Gendered Subjugation (2016)Imperfect Media and the Poetics of Indigenous Video in Latin America (2008)RETHINKING THE DIGITAL AGE (2008)Football fandom and Disneyisation in late-modern life (2012)The Cambridge Companion to Film Music (2016)Frame by Frame (2019)SELLING CHILDHOOD? (2007)Public Interest Media Advocacy and Activism as a Social Movement (2009)Regulation of pornography and criminalization of BL readers and authors in contemporary China (2010–2019) (2021)
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References

  • 2011Dialectic of Enlightenment, 20112,162 cited
  • 1996From mouse to mermaid: the politics of film, gender, and culture356 cited
  • 2013Understanding Animation289 cited
  • 2003Hollywood flatlands: animation, critical theory and the avant-garde248 cited
  • 1999Saturday morning censors: television regulation before the V-chip150 cited
  • 1999Hollywood Cartoons149 cited
  • 2002Animation: Genre and Authorship138 cited
  • 1996Redeeming the wasteland: television documentary and Cold War politics81 cited
  • 1995From Mouse to Mermaid71 cited
  • 1998Reading the rabbit: explorations in Warner Bros. animation67 cited
  • 2007The Animated Man51 cited
  • 1980The American Animated Cartoon: A Critical Anthology41 cited
  • 2009The encyclopedia of animated cartoons24 cited
  • 2015Girl Cartoons Second Wave: Transforming the Genre13 cited
  • 2014Alice in Cartoonland: Childhood, Gender, and Imaginary Space in Early Disney Animation9 cited

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