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Mapping Meisner – how Stanislavski’s system influenced Meisner’s process and why it matters to British Drama School training today
16 references·0 citing·23 second hop
Mapping Meisner – how Stanislavski’s system influenced Meisner’s process and why it matters to British Drama School training today (2018)Mapping Meisner – how Stanislavski’s syst…Theatre & History (2014)Theatre & HistoryAn actress prepares women and "the method" (2012)An actress prepares women and…Acting and Performance in Moving Image Culture (2012)Acting and Performance in Mov…The philosophical actor: a practical meditation for practicing theatre artists (2011)The philosophical actor: a pr…‘The Reality of Doing’: Meisner Technique and British Actor training (2010)‘The Reality of Doing’: Meisn…An Actor's Work on a Role (2009)An Actor's Work on a RoleThe complete Stanislavsky toolkit (2008)The complete Stanislavsky too…Stanislavsky in Focus (2008)Stanislavsky in FocusScience and the Stanislavsky Tradition of Acting (2005)Science and the Stanislavsky …Konstantin Stanislavsky (2004)Konstantin StanislavskyBeyond Stanislavsky: A Psycho-Physical Approach to Actor Training (2001)Beyond Stanislavsky: A Psycho…Method Acting Reconsidered (2000)Method Acting ReconsideredActor Training (2000)Actor TrainingPrinciples of truthful acting: A theoretical discourse on Sanford Meisner's practice (1999)Principles of truthful acting…Modern drama and the rhetoric of theater (1992)Modern drama and the rhetoric…The Reality of Doing (1964)The Reality of DoingAlba Emoting and emotional melody: surfing the emotional wave in Cachagua, Chile (2010)No Longer Themselves?: Framing Digitally Enabled Posthumous “Performance” (2010)Rediscovering Stanislavsky (2019)Autoethnography and voicework (2016)Konstantin Stanislavski and Michael Chekhov: tracing the two practitioners’ “lures” for emotional activation (2020)After theatre, beyond the self. A pedagogy of life from Stanislavski to Grotowski (2017)Bridging the academia-practitioner divide: the case of “service theater” (2014)Bringing Authoritative Models to Computational Drama (Encoding Knebel’s Action Analysis) (2016)Teaching Stanislavsky: periodization and the formation of theatre canons (2020)Analysis and Predictive Modeling of Body Language Behavior in Dyadic Interactions from Multimodal Interlocutor Cues (2014)Stanislavski’s best student directs: Maria Lilina’s first and last production (2016)Using our Heads and HARTSS*: Developing Perspective-Taking Skills for Socioscientific Reasoning (*Humanities, ARTs, and Social Sciences) (2016)“Endless Art”: The Contemporary Archive of Performance (2018)Invisible hands in the history of the magic lantern: where theatre studies and media archaeology meet (2020)The Method and the Computational Theory of Mind (2000)An Enactive Approach to Understanding Acting (2007)The Method behind the madness: Katie Mitchell, Stanislavski, and the classics (2014)Multimodal Acting and Performing (2020)’Tis Pity She’s a Realist: A Conversational Case Study in Realism and Early Modern Theater Today (2013)Modern Acting (2016)Education in Theatrical Intimacy as Ethical Practice for University Theatre (2019)Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)Stanislavski’s system in musical theatre actor training: anomalies of acting song (2016)
this work references cited by second hop

References

  • 2005Science and the Stanislavsky Tradition of Acting73 cited
  • 2000Method Acting Reconsidered63 cited
  • 2008The complete Stanislavsky toolkit60 cited
  • 2008Stanislavsky in Focus53 cited
  • 2012An actress prepares women and "the method"33 cited
  • 2004Konstantin Stanislavsky31 cited
  • 2014Theatre & History28 cited
  • 2009An Actor's Work on a Role26 cited
  • 1992Modern drama and the rhetoric of theater23 cited
  • 2001Beyond Stanislavsky: A Psycho-Physical Approach to Actor Training18 cited
  • 2011The philosophical actor: a practical meditation for practicing theatre artists18 cited
  • 2000Actor Training16 cited
  • 2010‘The Reality of Doing’: Meisner Technique and British Actor training13 cited
  • 1964The Reality of Doing12 cited
  • 2012Acting and Performance in Moving Image Culture7 cited
  • 1999Principles of truthful acting: A theoretical discourse on Sanford Meisner's practice7 cited

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