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An analytical strategy based on Fourier transform infrared spectroscopy, principal component analysis and linear discriminant analysis to suggest the botanical origin of resins from Bursera. Application to archaeological Aztec Samples
16 references·4 citing·36 second hop
An analytical strategy based on Fourier transform infrared spectroscopy, principal component analysis and linear discriminant analysis to suggest the botanical origin of resins from Bursera. Application to archaeological Aztec Samples (2018)An analytical strategy based on Fourier t…An improved methodology for the characterization and identification of sepia in works of art by normal Raman and SERS, complemented by FTIR, Py‐GC/MS, and XRF (2014)An improved methodology for t…Effect of photodegradation on the identification of natural varnishes by FT-IR spectroscopy (2013)Effect of photodegradation on…A joint use of Raman and infrared spectroscopies for the identification of natural organic media used in ancient varnishes (2010)A joint use of Raman and infr…The Nature of the Extraordinary Finish of Stradivari’s Instruments (2009)The Nature of the Extraordina…Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach (2009)Non-invasive identification o…FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings (2009)FT-NIR spectroscopy for non-i…Aging and yellowing of triterpenoid resin varnishes – Influence of aging conditions and resin composition (2009)Aging and yellowing of triter…The joined use of n.i. spectroscopic analyses – FTIR, Raman, visible reflectance spectrometry and EDXRF – to study drawings and illuminated manuscripts (2008)The joined use of n.i. spectr…Review on the characterisation of ancient stringed musical instruments varnishes and implementation of an analytical strategy (2008)Review on the characterisatio…Study of Burseraceae resins used in binding media and varnishes from artworks by gas chromatography–mass spectrometry and pyrolysis-gas chromatography–mass spectrometry (2005)Study of Burseraceae resins u…Statistics and Chemometrics for Analytical Chemistry (2005)Statistics and Chemometrics f…Characterisation of organic residues in pottery vessels of the Roman age from Antinoe (Egypt) (2004)Characterisation of organic r…Infrared Spectroscopy in Conservation Science (2000)Infrared Spectroscopy in Cons…Fourier-transform Raman spectroscopic study of natural waxes and resins. I (1996)Fourier-transform Raman spect…Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis of Aged Paint Binder…Photochemical and Thermal Degradation of Films of Dammar Resin (1988)Photochemical and Thermal Deg…The Story of Elaeagia Resin (Mopa-Mopa), So Far (2023)The Story of Elaeagia Resin (…Modeling Chemical Tests and Fiber Identification of Paper Materials Using Principal Component Analysis and Specular Reflection FTIR Data (2022)Modeling Chemical Tests and F…New results in ancient Maya rituals researches: The study of human painted bones fragments from Calakmul archaeological site (Mexico) (2020)New results in ancient Maya r…Nontargeted Pattern Recognition in the Search for Pyrolysis Gas Chromatography/Mass Spectrometry Resin Markers in Historic Lacquered Objects (2019)Nontargeted Pattern Recogniti…Modern analytical methods in art and archaeology (2000)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Cultural heritage and archaeology materials studied by synchrotron spectroscopy and imaging (2011)Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy (2013)Visible and infrared imaging spectroscopy of paintings and improved reflectography (2016)Archaeological Chemistry (1996)Ancient Egyptian materials and technology (2000)Direct exposure electron ionization mass spectrometry and gas chromatography/mass spectrometry techniques to study organic coatings on archaeological amphorae (2005)Organic mass spectrometry in archaeology: evidence for Brassicaceae seed oil in Egyptian ceramic lamps (2005)Chemical study of triterpenoid resinous materials in archaeological findings by means of direct exposure electron ionisation mass spectrometry and gas chromatography/mass spectrometry (2006)National Gallery Technical Bulletin (1979)The Organic Chemistry of Museum Objects (1988)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings (2000)Structural characterization of corrosion products on archaeological iron: an integrated analytical approach to establish corrosion forms (2004)Synchrotron UV−Visible Multispectral Luminescence Microimaging of Historical Samples (2011)In situ 3D characterization of historical coatings and wood using multimodal nonlinear optical microscopy (2012)New Frontiers in Application of FTIR Microscopy for Characterization of Cultural Heritage Materials (2016)Application of Science in Examination of Works of Art (1959)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)The museum environment (1978)Excimer laser restoration of painted artworks: procedures, mechanisms and effects (1998)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)The application of state-of-the-art technologies to support artwork conservation: Literature review (2020)Application of Factorial and Response Surface Methodology in Modern Experimental Design and Optimization (2006)Lipid composition of fingermark residue and donor classification using GC/MS (2014)Replicability or reproducibility? On the replication crisis in computational neuroscience and sharing only relevant detail (2018)ColoRaman project: Raman and fluorescence spectroscopy of oil, tempera and fresco paint pigments (2004)Application of ATR-far-infrared spectroscopy to the analysis of natural resins (2010)Metal Soaps in Art (2019)Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases (2021)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)
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References

  • 2005Statistics and Chemometrics for Analytical Chemistry3,775 cited
  • 2000Infrared Spectroscopy in Conservation Science690 cited
  • 1990Analysis of Aged Paint Binders by FTIR Spectroscopy282 cited
  • 2004Characterisation of organic residues in pottery vessels of the Roman age from Antinoe (Egypt)162 cited
  • 2009FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings148 cited
  • 1988Photochemical and Thermal Degradation of Films of Dammar Resin122 cited
  • 2010A joint use of Raman and infrared spectroscopies for the identification of natural organic media used in ancient varnishes121 cited
  • 2009Aging and yellowing of triterpenoid resin varnishes – Influence of aging conditions and resin composition113 cited
  • 2009The Nature of the Extraordinary Finish of Stradivari’s Instruments109 cited
  • 1996Fourier-transform Raman spectroscopic study of natural waxes and resins. I108 cited
  • 2013Effect of photodegradation on the identification of natural varnishes by FT-IR spectroscopy97 cited
  • 2014An improved methodology for the characterization and identification of sepia in works of art by normal Raman and SERS, complemented by FTIR, Py‐GC/MS, and XRF91 cited
  • 2008The joined use of n.i. spectroscopic analyses – FTIR, Raman, visible reflectance spectrometry and EDXRF – to study drawings and illuminated manuscripts86 cited

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2009
Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach
84 cited
  • 2008Review on the characterisation of ancient stringed musical instruments varnishes and implementation of an analytical strategy80 cited
  • 2005Study of Burseraceae resins used in binding media and varnishes from artworks by gas chromatography–mass spectrometry and pyrolysis-gas chromatography–mass spectrometry78 cited
  • Cited by

    • 2019Nontargeted Pattern Recognition in the Search for Pyrolysis Gas Chromatography/Mass Spectrometry Resin Markers in Historic Lacquered Objects15 cited
    • 2020New results in ancient Maya rituals researches: The study of human painted bones fragments from Calakmul archaeological site (Mexico)12 cited
    • 2022Modeling Chemical Tests and Fiber Identification of Paper Materials Using Principal Component Analysis and Specular Reflection FTIR Data10 cited
    • 2023The Story of Elaeagia Resin (Mopa-Mopa), So Far9 cited