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A Correspondence of Renaissance Musicians
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Cited by

  • 2019The Cambridge History of Music Criticism85 cited
  • 1991Vestiges of the Isorhythmic Tradition in Mass and Motet, ca. 1450-147578 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2019Writing about Popular Music53 cited
  • 1995Reading Aron reading Petrucci: the music examples of the Trattato della natura et cognitione di tutti gli tuoni (1525)51 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 1993The Harmonious Pulse45 cited
  • 1994A new attribution to Brassart?44 cited
  • 1995Tempo relationships between duple and triple time in the sixteenth century42 cited
  • 2002Renaissance modal theory: theoretical, compositional, and editorial perspectives14 cited
  • 2012The performer and the composer10 cited
  • 2002The evolution of rhythmic notation8 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited

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2012
Performance in the ‘long eighteenth century’: an overview
5 cited