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Salsiology. Afro-Cuban Music and the Evolution of Salsa in New York City
0 references·16 citing·47 second hop
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  • 2005Bagels, Bongos, and Yiddishe Mambos, or The Other History of Jews in America45 cited
  • 2011Exotic Identities: Dance, Difference, and Self-fashioning41 cited
  • 2007THE SALSA CLASS: A COMPLEXITY OF GLOBALIZATION, COSMOPOLITANS AND EMOTIONS32 cited
  • 2013‘Cocolos Modernos’: Salsa, Reggaetón, and Puerto Rico's Cultural Politics of Blackness24 cited
  • 2001Brownface: Representations of Latin-ness in Dancesport20 cited
  • 2008El Gran Combo, Cortijo, and the Musical Geography of Cangrejos/Santurce, Puerto Rico18 cited
  • 1996Sound Systems, World Beat and Diasporan Identity in Cartagena, Colombia16 cited
  • 20169. Immigrants, the Arts, and the “Second- Generation Advantage” in New York14 cited
  • 2006Out on the floor: the politics of dancing on the Northern Soul scene13 cited
  • 2007Celebrity, "Crossover," and Cubanidad: Celia Cruz as "La Reina de Salsa," 1971-20039 cited
  • 2003“Con Sabor a Puerto Rico”8 cited
  • 2005Music and the (Re)creation of Latino Culture in Japan17 cited
  • 2021Flipped, Broken, and PausedClave6 cited
  • 2017“The Clave Comes Home”: Salsa Dance and Pan-African Identity in Ghana3 cited

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2011
EIGHTY-EIGHT DRUMS: THE PIANO AS PERCUSSION INSTRUMENT IN JAZZ
3 cited
  • 2009Solo drumming in the Puerto Rican bomba : an analysis of musical processes and improvisational strategies3 cited