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Contemporary African art
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Contemporary African art (2000)Contemporary African artPrintmaking in Nigeria: Its Evolution and Developmental History (2019)Printmaking in Nigeria: Its E…Locating Senghor's École de Dakar: International and Transnational Dimensions to Senegalese Modern Art, c. 1959–1980 (2018)Locating Senghor's École de D…Collectivize (Re)sources: The Photographic Estate of Ulli Beier (2018)Collectivize (Re)sources: The…Rock Art and Tourism in Tanzania: In Search for Innovations (2017)Rock Art and Tourism in Tanza…A lightness of vision: the poetics ofRelationin Malian art photography (2014)A lightness of vision: the po…Four kinds of authenticity? Regarding Nicaraguan pottery in Scandinavian museums, 2006–08 (2009)Four kinds of authenticity? R…People of the Chisel: Apprenticeship, youth, and elites in Oku (Cameroon) (2002)People of the Chisel: Apprent…‘Making names’: The cutting edge renewal of African art in New York City, 1985–1996 (2001)‘Making names’: The cutting e…Mind in Society: The Development of Higher Psychological Processes (1978)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)Containers of Life: Pottery and Social Relations in the Grassfields (Cameroon) (2007)The Modern World-System: Capitalist Agriculture and the Origins of the European World-Economy in the Sixteenth Century. (1975)Orality and Literacy (1982)Colonial Discourse and Post-Colonial Theory: A Reader (1995)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Culture in Action: Symbols and Strategies (1986)A general theory of artistic legitimation: How art worlds are like social movements (2006)Regionalism and the Publishing Class: Conflicted Isomorphism and Negotiated Identity in a Nested Field of American Publishing (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Expert Critics, Rankings, and Review Aggregators: The Changing Nature of Intermediation and the Rise of Markets with Multiple Intermediaries (2022)The cultural biography of things: commoditization as process (1986)The Social Life of Things (1986)The Predicament of Culture (1988)Labor and Precariousness in C hina's Porcelain Capital (2014)Africa's Vanishing Art: The Rock Paintings of Tanzania (1985)Endangered Rock Art: Forty years of cultural heritage management in the Quinkan region, Cape York Peninsula (2012)Seeking Sustainable Rock Art Tourism: The Example of the Maloti-Drakensberg Park World Heritage Site (2014)The Wretched of the Earth (2000)Global Shadows (2006)The Journal of Pan African Studies (2014)L'œuvre d'art à l'époque de sa reproduction mécanisée (1936)The Short Century: Independence and Liberation Movements in Africa, 1945-1994 (2002)Objects and the Museum (2005)The Ulli Beier Archives at the Centre for Black Culture and International Understanding (CBCIU), Nigeria, and a Summary of Holdings (2019)Prints and printmaking: an introduction to the history and techniques (1996)Contemporary African Art (2001)Contemporary African art since 1980 (2010)
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  • 2002People of the Chisel: Apprenticeship, youth, and elites in Oku (Cameroon)28 cited
  • 2001‘Making names’: The cutting edge renewal of African art in New York City, 1985–199619 cited
  • 2009Four kinds of authenticity? Regarding Nicaraguan pottery in Scandinavian museums, 2006–0819 cited
  • 2014A lightness of vision: the poetics ofRelationin Malian art photography11 cited
  • 2018Locating Senghor's École de Dakar: International and Transnational Dimensions to Senegalese Modern Art, c. 1959–19806 cited
  • 2019Printmaking in Nigeria: Its Evolution and Developmental History6 cited
  • 2018Collectivize (Re)sources: The Photographic Estate of Ulli Beier2 cited
  • 2017Rock Art and Tourism in Tanzania: In Search for Innovations1 cited

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