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Posing, Posturing and Photographic Presences: A Rite of Passage in a Japanese Commuter Village
16 references·2 citing·37 second hop
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1973Steps to an Ecology of Mind7,226 cited
  • 1987Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences3,658 cited
  • 1982Ethnographies as Texts655 cited
  • 2008Snapshot Versions of Life645 cited
  • 1975Past Time, Present Place: Landscape and Memory426 cited
  • 1988Travel photography376 cited
  • 1986On the Edge of the Bush: Anthropology as Experience325 cited
  • 1993Models and Mirrors: Towards an Anthropology of Public Events296 cited
  • 1988Nostalgia-A Polemic295 cited
  • 1981Studying Visual Communication213 cited
  • 1990Visions and revisions: Toraja culture and the tourist gaze153 cited
  • 1975Photography, Vision, and Representation148 cited
  • 1986rationalization and nostalgia: cultural dynamics of new middle‐class Japan134 cited
  • 1978On the Vicissitudes of the Self: The Possessed Dancer, the Magician, the Sorcerer, the Filmmaker, and the Ethnographer118 cited
  • 1988Furusato Japan: The culture and politics of nostalgia109 cited

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Cited by

  • 1992Uniqueness, typicality, and appraisal: A ‘village of the past’ in contemporary Japan*9 cited
  • 2011Regarding fashions in 20th century women's kimono2 cited