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Preservation and Paradox: Choreographic Authorship in the Digital Sphere
15 references·0 citing·30 second hop
Preservation and Paradox: Choreographic Authorship in the Digital Sphere (2018)Preservation and Paradox: Choreographic A…Dancing Modernism / Performing Politics (2023)Dancing Modernism / Performin…The Oxford Handbook of Dance and the Popular Screen (2014)The Oxford Handbook of Dance …Thinking through dance:: The philosophy of dance performance and practices (2013)Thinking through dance:: The …Inheriting the Avant-Garde: Merce Cunningham, Marcel Duchamp, and the “Legacy Plan” (2013)Inheriting the Avant-Garde: M…The Pina Bausch Sourcebook (2012)The Pina Bausch SourcebookThe Philosophical Aesthetics of Dance: Identity, Performance and Understanding (2011)The Philosophical Aesthetics …Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…Dance Identity, Authenticity and Issues of Interpretation with Specific Reference to the Choreography of Siobhan Davies (2005)Dance Identity, Authenticity …Merce Cunningham (2004)Merce CunninghamUnmarked (2003)UnmarkedTheatre at the Crossroads of Culture (2003)Theatre at the Crossroads of …More-and-Less-Than: Liveness, Video Recording, and the Future of Performance (2000)More-and-Less-Than: Liveness,…Unmarked: The Politics of Performance (1994)Unmarked: The Politics of Per…Theatre at the Crossroads of Culture (1992)Theatre at the Crossroads of …At the Vanishing Point (1985)At the Vanishing PointParatexts: Thresholds of Interpretation (1997)Publics and Counterpublics (2002)Hip Hop Battles and Facial Intertexts (2016)The Work of Art in the Age of Mechanical Reproduction (2018)‘Dance against the void’: Derek Jarman, dance, queer classical receptions (2023)Anthroposcreens (2023)Dancing Around the Issues: Prospects for an Empirically Grounded Philosophy of Dance (2013)Affective Traces in Virtual Spaces (2015)Choreography Invisible (2020)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)The Anthropology of Theater and Spectacle (1993)Toward a Topography of Cross-Cultural Theatre Praxis (2002)Foreign Asia / Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization (2004)“The question of belief”: writing poststructural ethnography (1995)Body Projects of Young Women of Color in Physics: Intersections of Gender, Race, and Science (2005)Practice as Research in the Arts (2013)The Aesthetics of Electronic Dance Music, Part II: Dancers, DJs, Ontology and Aesthetics (2016)Projects, Precarity, and the Ontology of Dance Works (2019)Geometry, embodied cognition and choreographic praxis (2014)Matter out of place: visibility and sexualities in leisure spaces (1999)Reading Erasures and Making the Familiar Strange: Defamiliarizing Methods for Research in Formerly Colonized and Historically Oppressed Communities (2003)The Art of Doing (Geographies of) Music (2007)Physical Images in the South African Theatre (1997)From Dramaturgy to Theatre as Technology: The Case of Corporate Theatre* (2003)Textual and contextual voices of translation (2017)Emerging Bodies : The Performance of Worldmaking in Dance and Choreography (2011)Körper als Archiv in Bewegung (2016)Art as a Political Witness (2017)
this work references cited by second hop

References

  • 1994Unmarked: The Politics of Performance1,810 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2003Unmarked803 cited
  • 1992Theatre at the Crossroads of Culture221 cited
  • 2003Theatre at the Crossroads of Culture132 cited
  • 2014The Oxford Handbook of Dance and the Popular Screen108 cited
  • 2023Dancing Modernism / Performing Politics87 cited
  • 2011The Philosophical Aesthetics of Dance: Identity, Performance and Understanding64 cited
  • 2004Merce Cunningham59 cited
  • 2013Thinking through dance:: The philosophy of dance performance and practices29 cited
  • 2000More-and-Less-Than: Liveness, Video Recording, and the Future of Performance20 cited
  • 2012The Pina Bausch Sourcebook17 cited
  • 2013Inheriting the Avant-Garde: Merce Cunningham, Marcel Duchamp, and the “Legacy Plan”12 cited
  • 1985At the Vanishing Point12 cited
  • 2005Dance Identity, Authenticity and Issues of Interpretation with Specific Reference to the Choreography of Siobhan Davies10 cited

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