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The Creativity Hoax: Precarious Work in the Gig Economy
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The Creativity Hoax: Precarious Work in the Gig Economy (2018)The Creativity Hoax: Precarious Work in t…The future of the cultural workforce: Perspectives from early career arts professionals on the challenges and future of the cultural industries in the context of COVID-19 (2022)The future of the cultural wo…Über-Alienated: Powerless and Alone in the Gig Economy (2021)Über-Alienated: Powerless and…Life Disrupted and Regenerated: Coping With the ‘New Normal’ Creative Arts in the Time of Coronavirus (2021)Life Disrupted and Regenerate…New Pathways into Creative Work? (2020)New Pathways into Creative Wo…Creative Aspiration and the Betrayal of Promise? The Experience of New Creative Workers (2020)Creative Aspiration and the B…Craftspeople and Designer Makers in the Contemporary Creative Economy (2020)Craftspeople and Designer Mak…Hip Hub? Class, Race and Gender in Creative Hubs (2019)Hip Hub? Class, Race and Gend…Children’s digital content creation: Towards a processual understanding of media production among Danish children (2019)Children’s digital content cr…When Money is not Enough: Reggae, Dancehall, and Policy in Jamaica (2018)When Money is not Enough: Reg…Cultural-Products Industries and Urban Economic Development (2004)From cultural to creative industries (2005)Bourgeois Dignity (2010)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Diversity, media and racial capitalism: a case study on publishing (2022)Social inclusion and SMEs: The case of creative SMEs in Hackney Wick and Fish Island, London (2022)Creative and cultural hub sustainability: from theory to practice (2024)Mind in Society: The Development of Higher Psychological Processes (1978)Policy responses to false and misleading digital content (2022)The creative city: A toolkit for urban innovators (2001)The Rise of the Creative Class (2002)The Creative City (2012)Meaningful Making in the Contemporary Creative Economy (2020)Crafting professionals: entrepreneurial strategies for making a living through passionate work (2022)The co-evolution of ecosystem and university’s roles: a focus on the integration of technologies and cultural heritage (2024)Learning to Labour: How Working Class Kids Get Working Class Jobs. (1981)Learning to Labor: How Working Class Kids Get Working Class Jobs. (1996)A Postcapitalist Politics (2006)The Field of Cultural Production: Essays on Art and Literature (1996)Vibrant Matter: A Political Ecology of Things (2010)Vibrant Matter: A Political Ecology of Things (2010)Crowdfunding artists: beyond match-making on platforms (2021)The located making framework for supporting craft maker enterprises in China (2022)In The Age of the Smart Machine: The Future of Work and Power. (1989)The Duality of Technology: Rethinking the Concept of Technology in Organizations (1992)A Short Scale for Measuring Loneliness in Large Surveys (2004)Regulating datafication and platformization: Policy silos and tradeoffs in international platform inquiries (2022)Algorithmic human resource management: toward a functional affordance perspective (2024)Digital Battlegrounds: The Power Dynamics and Governance of Contemporary Platforms (2024)Meeting the Challenge of Disruptive Change (2000)Descriptive Versus Interpretive Phenomenology: Their Contributions to Nursing Knowledge (2004)Ethnography for the Internet : Embedded, Embodied and Everyday (2015)Digital Natives, Digital Immigrants Part 1 (2001)How Many Interviews Are Enough? (2005)Using thematic analysis in psychology (2006)Cultivating progressive development in the cultural industries: challenges and support needs identified by the creative workforce in the United Kingdom (2023)Does cultural resource endowment backfire? Evidence from China’s cultural resource curse (2023)Investigating the health and wellbeing of music students: Perspectives from schools of music in Switzerland and the UK (2024)
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  • 2021Über-Alienated: Powerless and Alone in the Gig Economy157 cited
  • 2020Craftspeople and Designer Makers in the Contemporary Creative Economy49 cited
  • 2019Children’s digital content creation: Towards a processual understanding of media production among Danish children33 cited
  • 2022The future of the cultural workforce: Perspectives from early career arts professionals on the challenges and future of the cultural industries in the context of COVID-1927 cited
  • 2019Hip Hub? Class, Race and Gender in Creative Hubs18 cited
  • 2020Creative Aspiration and the Betrayal of Promise? The Experience of New Creative Workers18 cited
  • 2018When Money is not Enough: Reggae, Dancehall, and Policy in Jamaica9 cited
  • 2020New Pathways into Creative Work?4 cited
  • 2021Life Disrupted and Regenerated: Coping With the ‘New Normal’ Creative Arts in the Time of Coronavirus4 cited

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