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Burning Images: A Critical Review of Rock Art Conservation in Zimbabwe
7 references·5 citing·40 second hop
Burning Images: A Critical Review of Rock Art Conservation in Zimbabwe (2018)Burning Images: A Critical Review of Rock…Open-Air Rock-Art Conservation and Management (2014)Open-Air Rock-Art Conservatio…A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa (2011)A multi-technique characteriz…The first Raman spectroscopic study of San rock art in the Ukhahlamba Drakensberg Park, South Africa (2008)The first Raman spectroscopic…The thermal responses of rock art pigments: Implications for rock art weathering in southern Africa (2007)The thermal responses of rock…Rock temperatures as an indicator of weathering processes affecting rock art (2006)Rock temperatures as an indic…Microclimatic data and rock art conservation at Game Pass Shelter in the Kamberg Nature Reserve, KwaZulu-Natal : news & views (2004)Microclimatic data and rock a…A regional management strategy for rock art in Southern Africa (1997)A regional management strateg…Rock Art in Makumbe Cave: Disentangling Visual Layers (2022)Rock Art in Makumbe Cave: Dis…Threshold of Weathering Needed for Fire to Erode Rock Art: Case Study of a Hohokam Petroglyph, Central Arizona, USA (2021)Threshold of Weathering Neede…Record-Making, Research, and Removal: Mitigating Impacts on Rock Art in a CRM Context in Southern Africa—the Case of the Metolong Dam, Lesotho (2021)Record-Making, Research, and …Elizabeth Goodall and Walter Battiss: Inspired by the Art on the Rocks (2021)Elizabeth Goodall and Walter …African heritage in a changing climate (2020)African heritage in a changin…Discovering Southern African Rock Art. (1992)Dating rock paintings in the uKhahlamba-Drakensberg and the Biggarsberg, KwaZulu-Natal, South Africa (2003)The museum environment (1978)Clay and iron oxide pigments in the history of painting (2003)Minerals provide tints and possible binder/extender in pigments in san rock paintings (South Africa) (2008)Systematic Pigment Use in the Middle Pleistocene of South‐Central Africa (2002)Pigment Compendium: A Dictionary of Historical Pigments (2007)Klipdrift Shelter, southern Cape, South Africa: preliminary report on the Howiesons Poort layers (2014)A Milk and Ochre Paint Mixture Used 49,000 Years Ago at Sibudu, South Africa (2015)The technology of the earliest European cave paintings: El Castillo Cave, Spain (2016)An initial Raman microscopic investigation of prehistoric rock art in caves of the Quercy District, S.W. France (1999)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Processing ochre in the Middle Stone Age: Testing the inference of prehistoric behaviours from actualistically derived experimental data (2011)The first in situ micro‐Raman spectroscopic analysis of prehistoric cave art of Rouffignac St‐Cernin, France (2012)Characterizing the pigments and paints of prehistoric artists (2021)A Phenomenology of Landscape: Places, Paths and Monuments (1994)Redistribution or Recognition?: A Political-Philosophical Exchange (2003)Guidance on the conduct of narrative synthesis in systematic reviews: A product from the ESRC Methods Programme (2006)Funding flows for climate change research on Africa: where do they come from and where do they go? (2021)Decolonizing climate change–heritage research (2022)Poverty, Livelihoods and Sustainable Development (2023)San spirituality: roots, expression, and social consequences (2005)Southern African Field Archaeology (2022)The Rock Arts of Metolong: Paintings, Archaeology and Cultural Resource Management in Western Lesotho (2022)Operational Guidelines for the Implementation of the World Heritage Convention (2023)Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation (2024)The Neoliberalisation of Heritage in Africa (2025)Handbook of rock art research (2001)Introduction to rock art research (2006)Local and Indigenous management of climate change risks to archaeological sites (2017)Fire as a geoarchaeological decay agent: reviewing methodologies for assessing physico-mechanical and chemical impacts on rock art (2026)Traditional Custodianship: A Useful Framework for Heritage Management in Southern Africa? (2011)Inscription au patrimoine mondial et dynamiques touristiques : le massif de l'uKhahlamba-Drakensberg (Afrique du Sud) (2014)Public archaeology, knowledge meetings and heritage ethics in southern Africa: an approach from Mozambique (2015)Deterioration of San rock art : new findings, new challenges (2007)Towards a holistic approach to heritage values: a multidisciplinary and cosmopolitan approach (2019)New and Emerging Challenges to Heritage and Well-Being: A Critical Review (2019)Rock, pigments, and weathering. A preliminary assessment of the challenges and potential of physical and biochemical studies on rock art from southern Ethiopia (2020)The Sustainability of Rock Art: Preservation and Research (2022)
this work references cited by second hop

References

  • 2011A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa111 cited
  • 2008The first Raman spectroscopic study of San rock art in the Ukhahlamba Drakensberg Park, South Africa87 cited
  • 2006Rock temperatures as an indicator of weathering processes affecting rock art58 cited
  • 2007The thermal responses of rock art pigments: Implications for rock art weathering in southern Africa56 cited
  • 2014Open-Air Rock-Art Conservation and Management35 cited
  • 2004Microclimatic data and rock art conservation at Game Pass Shelter in the Kamberg Nature Reserve, KwaZulu-Natal : news & views18 cited
  • 1997A regional management strategy for rock art in Southern Africa17 cited

Cited by

  • 2020African heritage in a changing climate52 cited
  • 2021Record-Making, Research, and Removal: Mitigating Impacts on Rock Art in a CRM Context in Southern Africa—the Case of the Metolong Dam, Lesotho7 cited
  • 2021Threshold of Weathering Needed for Fire to Erode Rock Art: Case Study of a Hohokam Petroglyph, Central Arizona, USA3 cited
  • 2022Rock Art in Makumbe Cave: Disentangling Visual Layers1 cited
  • 2021Elizabeth Goodall and Walter Battiss: Inspired by the Art on the Rocks1 cited

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