Burning Images: A Critical Review of Rock Art Conservation in Zimbabwe

Abstract

Rock art is the most easily accessible of archaeological material. In Zimbabwe, there are thousands of sites, mostly in open-air environments which can be accessed and enjoyed by many people without any restrictions. Yet, rock art is also easily damaged and therefore requires conservation. Social, political and economic challenges in the last two decades have had profound effects on the conservation status of this particular cultural heritage. This paper examines the state of conservation of rock art, conservation approaches and challenges in Zimbabwe. It also discusses possible solutions especially as the country is making frantic efforts at international re-engagement. The story of rock art conservation in Zimbabwe is similar to what is happening in many neighbouring developing countries such as Kenya, Uganda and South Africa. Therefore, the discussion in this paper also informs on general issues in rock art management and conservation in Africa.

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