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Emigdiano Blues: The California Indigenous Pigment Palette and an In Situ Analysis of an Exotic Colour
16 references·0 citing·51 second hop
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References

  • 2007Comparison of XRF and PXRF for analysis of archaeological obsidian from southern Perú206 cited
  • 2009Assessing the applicability of portable X-ray fluorescence spectrometry for obsidian provenance research in the Maya lowlands161 cited
  • 2012Non-invasive portable instrumentation to study Palaeolithic rock paintings: the case of La Peña Cave in San Roman de Candamo (Asturias, Spain)77 cited
  • 2010Moving sources: A preliminary study of volcanic glass artifact distributions in northeast China using PXRF72 cited
  • 1999Field-Portable Non-Destructive Analysis of Lithic Archaeological Samples by X-Ray Fluorescence Instrumentation using a Mercury Iodide Detector: Comparison with Wavelength-Dispersive XRF and a Case Study in British Stone Axe Provenancing69 cited
  • 1998RIETVELD X‐RAY DIFFRACTION AND X‐RAY FLUORESCENCE ANALYSIS OF AUSTRALIAN ABORIGINAL OCHRES*53 cited
  • 2013One Colour, (at Least) Two Minerals: A Study of Mulberry Rock Art Pigment and a Mulberry Pigment ‘Quarry’ from the Kimberley, Northern Australia51 cited
  • 2014An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art43 cited
  • 2006A LabVIEW‐controlled portable x‐ray fluorescence spectrometer for the analysis of art objects37 cited
  • 2010On the provenance and manufacture of red-slipped fine ware from ancient Cassope (NW Greece): evidence by X-ray analytical methods37 cited
  • 1892THE PANAMINT INDIANS OF CALIFORNIA35 cited
  • 1996BLOOD AS A BINDING MEDIUM IN A CHUMASH INDIAN PIGMENT CAKE

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34 cited
  • 2010Characterization of elemental and firing-dependent properties of Phlegrean ceramics by non-destructive ED-XRF and NMR techniques25 cited
  • 2011In situ energy dispersive X‐ray fluorescence analysis of rock art pigments from the ‘Abrigo dos Gaivões’ and ‘Igreja dos Mouros’ caves (Portugal)24 cited
  • 1990Early Experiments in Pigment Analysis24 cited
  • 2002Technical Examination of Some Rock Art Pigments and Encrustations from the Chumash Indian Site of San Emigdio, California21 cited
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