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'Mythic Women': A Response to Humphreys
9 references·1 citing·23 second hop
'Mythic Women': A Response to Humphreys (1996)'Mythic Women': A Response to HumphreysStructure, Meaning and Ritual in the Narratives of the Southern San (2008)Structure, Meaning and Ritual…Rock art incorporated : an archaeological and interdisciplinary study of certain human figures in San art (1995)Rock art incorporated : an ar…Gender, representation, and power in San ethnography and rock art (1992)Gender, representation, and p…Rethinking Art History: Meditations on a Coy Science (1991)Rethinking Art History: Medit…Images of Power: Understanding Bushman Rock Art (1990)Images of Power: Understandin…Hunter and Habitat in the Central Kalahari Desert. (1982)Hunter and Habitat in the Cen…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Believing and Seeing: Symboli…Cave artists of South Africa (1953)Cave artists of South AfricaSpecimens of Bushman Folklore (1912)Specimens of Bushman Folkloreطقوس البلوغ في جنوب قارة أفريقيا خلال العصر الحجري المتأخر (2023)طقوس البلوغ في جنوب قارة أفري…Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)Ethnoarchaeology needs a general theory of behavior (1995)The Human Symbolic Revolution: A Darwinian Account (1995)Programme to Practice: Gender and Feminism in Archaeology (1997)Trespassing Through Shadows: Memory, Photography, And The Holocaust (1998)The “Eternal Return”: Self‐Portrait Photography as a Technology of Embodiment (2002)The ‘Great Divide’: How the Arts Contribute to Science and Science Education (2019)Hunter-Gatherer Mobility Strategies (1983)A Howiesons Poort tradition of engraving ostrich eggshell containers dated to 60,000 years ago at Diepkloof Rock Shelter, South Africa (2010)Early evidence of San material culture represented by organic artifacts from Border Cave, South Africa (2012)Through the Veil: San Rock Paintings and the Rock Face (1990)African Archaeology (2005)Style and Social Information in Kalahari San Projectile Points (1983)Reconsidering the behavioral basis for style: A case study among the Kalahari San (1984)Ochre in hafting in Middle Stone Age southern Africa: a practical role (2004)Putting ochre to the test: replication studies of adhesives that may have been used for hafting tools in the Middle Stone Age (2005)Rock-Art in the Thirstland Areas (1968)The mystery of the blue ostriches (1994)From Top Down Under: New Insights into the Social Significance of Superimpositions in the Rock Art of Northern Kimberley, Australia (2019)Southern African Literatures (1997)The Woman with the Zebra's Penis: Gender, Mutability and Performance (1997)
this work references cited by second hop

References

  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 1982Hunter and Habitat in the Central Kalahari Desert.430 cited
  • 1912Specimens of Bushman Folklore251 cited
  • 1990Images of Power: Understanding Bushman Rock Art193 cited
  • 2008Structure, Meaning and Ritual in the Narratives of the Southern San149 cited
  • 1991Rethinking Art History: Meditations on a Coy Science89 cited
  • 1992Gender, representation, and power in San ethnography and rock art80 cited
  • 1953Cave artists of South Africa30 cited
  • 1995Rock art incorporated : an archaeological and interdisciplinary study of certain human figures in San art6 cited

Cited by

  • 2023طقوس البلوغ في جنوب قارة أفريقيا خلال العصر الحجري المتأخر0 cited

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