SZodixStudyAcademic Library
DashboardShelvesOpen accessMy libraryInboxNotesWriteLearnAlerts
More
Ask your libraryNotificationsQuick citeReview
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Multianalytical approach for the analysis of the Codices Millenarius Maior and Millenarius Minor in Kremsmuenster Abbey, Upper Austria
16 references·5 citing·43 second hop
Multianalytical approach for the analysis of the Codices Millenarius Maior and Millenarius Minor in Kremsmuenster Abbey, Upper Austria (2018)Multianalytical approach for the analysis…Hyperspectral imaging, spectrofluorimetry, FORS and XRF for the non-invasive study of medieval miniatures materials (2014)Hyperspectral imaging, spectr…Non-destructive spectroscopic investigation on historic Yemenite scriptorial fragments: evidence of different degradation and recipes for iron tannic inks (2013)Non-destructive spectroscopic…‘It's not easy being green’: a spectroscopic study of green pigments used in illuminated manuscripts (2013)‘It's not easy being green’: …Micro‐Raman study of Medieval Cistercian 12–13th century manuscripts: Santa Maria de Alcobaça, Portugal (2012)Micro‐Raman study of Medieval…First analytical evidences of precious colourants on Mediterranean illuminated manuscripts (2012)First analytical evidences of…Application of spectroscopic techniques to the study of illuminated manuscripts: A survey (2012)Application of spectroscopic …Colouring materials of pre-Columbian codices: non-invasive in situ spectroscopic analysis of the Codex Cospi (2011)Colouring materials of pre-Co…The joined use of n.i. spectroscopic analyses – FTIR, Raman, visible reflectance spectrometry and EDXRF – to study drawings and illuminated manuscripts (2008)The joined use of n.i. spectr…Identification of iron‐gall inks with near‐infrared Raman microspectroscopy (2008)Identification of iron‐gall i…Green Copper Pigments Biodegradation in Cultural Heritage: From Malachite to Moolooite, Thermodynamic Modeling, X-ray Fluorescence, and Raman Evidence (2008)Green Copper Pigments Biodegr…All that is iron‐ink is not always iron‐gall! (2008)All that is iron‐ink is not a…A Decade of Raman Spectroscopy in Art and Archaeology (2007)A Decade of Raman Spectroscop…Raman analysis of iron gall inks on parchment (2006)Raman analysis of iron gall i…The Lindisfarne Gospels and two other 8th century Anglo‐Saxon/Insular manuscripts: pigment identification by Raman microscopy (2004)The Lindisfarne Gospels and t…Infrared Spectroscopy in Conservation Science (2000)Infrared Spectroscopy in Cons…The materials and techniques of medieval painting (1956)The materials and techniques …A combined approach to the vibrational characterization of medieval paints on parchment: Handheld Raman spectroscopy and micro‐SORS (2024)A combined approach to the vi…XRF elemental analysis of inks in South American manuscripts from 1779 to 1825 (2021)XRF elemental analysis of ink…The Kiev Folia: An interdisciplinary approach to unravelling the past of an ancient Slavonic manuscript (2021)The Kiev Folia: An interdisci…Manuscripts in the Making: Art and Science (2019)Manuscripts in the Making: Ar…The Messale Rosselli: Scientific investigation on an outstanding 14th century illuminated manuscript from Avignon (2018)The Messale Rosselli: Scienti…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Non invasive analysis of miniature paintings: Proposal for an analytical protocol (2012)A diagnostic study on folium and orchil dyes with non-invasive and micro-destructive methods (2015)XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique (2018)Dyes in History and Archaeology 41 (2023)On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database) (2005)Comparative study of mobile Raman instrumentation for art analysis (2007)Raman spectroscopy as a tool to diagnose the impact and conservation state of Pompeian second and fourth style wall paintings exposed to diverse environments (House of Marcus Lucretius) (2010)Field Raman analysis to diagnose the conservation state of excavated walls and wall paintings in the archaeological site of Pompeii (Italy) (2012)Raman spectroscopy of green minerals and reaction products with an application in Cultural Heritage research (2016)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Modern analytical methods in art and archaeology (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Non-destructive pigment analysis of artefacts by Raman microscopy (1992)Phytate: a Potential Conservation Agent for the Treatment of Ink Corrosion Caused by Irongall Inks (1995)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Elucidation of the Fe(III) Gallate Structure in Historical Iron Gall Ink (2016)New insights into iron-gall inks through the use of historically accurate reconstructions (2018)Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)Raman microscopy in archaeological science (2004)Identification of pigments in different layers of illuminated manuscripts by X-ray fluorescence mapping and Raman spectroscopy (2015)Handheld new technology Raman and portable FT-IR spectrometers as complementary tools for the in situ identification of organic materials in modern art (2017)A Quantitative Measure of Borane Tert-Butylamine Complex Effectiveness in Carbonyl Reduction of Aged Papers (1999)Investigation of oxidation and migration processes of inorganic compounds in ink-corroded manuscripts (2004)The Indian drawings of the poet Cesare Pascarella: non-destructive analyses and conservation treatments (2011)Classification of iron‐based inks by means of micro‐Raman spectroscopy and multivariate data analysis (2013)Identification of artistic materials in paintings and drawings by Raman spectroscopy: some challenges and future outlook (2015)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Identification of pigments by multispectral imaging; a flowchart method (2014)Recent progress in instrumental techniques for architectural heritage materials (2019)Understanding multispectral imaging of cultural heritage: Determining best practice in MSI analysis of historical artefacts (2020)X-ray fluorescence spectrometry in art and archaeology (2000)Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience (2016)Analytical and mathematical methods for revealing hidden details in ancient manuscripts and paintings: A review (2019)Colour and art: A brief history of pigments (2005)Animal origin of 13th-century uterine vellum revealed using noninvasive peptide fingerprinting (2015)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)
this work references cited by second hop

References

  • 2000Infrared Spectroscopy in Conservation Science690 cited
  • 2007A Decade of Raman Spectroscopy in Art and Archaeology383 cited
  • 1956The materials and techniques of medieval painting252 cited
  • 2006Raman analysis of iron gall inks on parchment153 cited
  • 2008Green Copper Pigments Biodegradation in Cultural Heritage: From Malachite to Moolooite, Thermodynamic Modeling, X-ray Fluorescence, and Raman Evidence98 cited
  • 2008The joined use of n.i. spectroscopic analyses – FTIR, Raman, visible reflectance spectrometry and EDXRF – to study drawings and illuminated manuscripts86 cited
  • 2014Hyperspectral imaging, spectrofluorimetry, FORS and XRF for the non-invasive study of medieval miniatures materials83 cited
  • 2012First analytical evidences of precious colourants on Mediterranean illuminated manuscripts79 cited
  • 2012Application of spectroscopic techniques to the study of illuminated manuscripts: A survey75 cited
  • 2008All that is iron‐ink is not always iron‐gall!74 cited
  • 2013Non-destructive spectroscopic investigation on historic Yemenite scriptorial fragments: evidence of different degradation and recipes for iron tannic inks71 cited
  • 2013‘It's not easy being green’: a spectroscopic study of green pigments used in illuminated manuscripts64 cited
  • 2008Identification of iron‐gall inks with near‐infrared Raman microspectroscopy60 cited
  • 2011

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Colouring materials of pre-Columbian codices: non-invasive in situ spectroscopic analysis of the Codex Cospi
55 cited
  • 2004The Lindisfarne Gospels and two other 8th century Anglo‐Saxon/Insular manuscripts: pigment identification by Raman microscopy55 cited
  • 2012Micro‐Raman study of Medieval Cistercian 12–13th century manuscripts: Santa Maria de Alcobaça, Portugal48 cited
  • Cited by

    • 2019Manuscripts in the Making: Art and Science30 cited
    • 2018The Messale Rosselli: Scientific investigation on an outstanding 14th century illuminated manuscript from Avignon16 cited
    • 2021The Kiev Folia: An interdisciplinary approach to unravelling the past of an ancient Slavonic manuscript15 cited
    • 2021XRF elemental analysis of inks in South American manuscripts from 1779 to 182514 cited
    • 2024A combined approach to the vibrational characterization of medieval paints on parchment: Handheld Raman spectroscopy and micro‐SORS13 cited