SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Small is beautiful? The salience of scale and power to three European cultures of TV production
8 references·3 citing·40 second hop
Small is beautiful? The salience of scale and power to three European cultures of TV production (2018)Small is beautiful? The salience of scale…Global Media and National Policies (2016)Global Media and National Pol…The ongoing significance of national media systems in the context of media globalization (2015)The ongoing significance of n…Television drama production in small nations: Mobilities in a changing ecology (2015)Television drama production i…Public Service Media in Europe: A Comparative Approach (2015)Public Service Media in Europ…The Media Welfare State (2014)The Media Welfare StateThe Cinema of Small Nations (2007)The Cinema of Small NationsBeyond media imperialism: Assymetrical interdependence and cultural proximity (1991)Beyond media imperialism: Ass…Reasons for the US dominance of the international trade in television programmes (1988)Reasons for the US dominance …Pandemic culture (2024)Pandemic cultureScreen agencies as cultural intermediaries: Delivering gender equality in the film and television sectors? (2022)Screen agencies as cultural i…Media-political inroads for Europeanising national cultural public spheres: EU-level obstacles and national public service perspectives (2022)Media-political inroads for E…The Decline and Fall of Public Service Broadcasting (1998)Comparing Media Systems (2004)Comparing Media Systems Beyond the Western World (2011)Covid-19 and public service media: Impact of the pandemic on public television in Europe (2020)Public Service Media in a Digital Media Environment: Performance from an Audience Perspective (2020)The rise of the ‘Netflix tax’ and what it means for sustaining European audiovisual markets (2020)Distinction: A Social Critique of the Judgement of Taste. (1985)Cultural Values Reflected in Chinese and American Television Advertising (2001)Hybridity in Cultural Globalization (2002)Hybridity and the rise of Korean popular culture in Asia (2005)Distinction: A Social Critique of the Judgement of Taste* (2018)Selections from the prison notebooks (2020)Who Knows: Information in the Age of the Fortune 500 (1981)The International Flow of Television Programs (1984)The Mythology About Globalization (1992)The impact of product placement on TV-induced tourism: Korean TV dramas and Taiwanese viewers (2010)Audience Heterogeneity and the Effectiveness of Market Signals: How to Overcome Liabilities of Foreignness in Film Exports? (2014)Global Transformations: Politics, Economics, and Culture (1999)Global Transformations: Politics, Economics and Culture (2000)Protesting the Paradigm (2016)Branding Internet sovereignty: Digital media and the Chinese–Russian cyberalliance (2018)Chinese Newspaper Groups in the Digital Era: The Resurgence of the Party Press (2018)Theatre and performance in small nations (2014)Does automatic funding suck? The cost and value of automatic funding in small nation screen industries in Northern Europe (2020)Innovation and Development of Cultural and Creative Industries Based on Big Data for Industry 5.0 (2022)Nationalism and Social Communication (1954)Perspectives on Media Effects (1986)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The Interpretation of Cultures: Selected Essays. (1975)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Qualitative Interviewing: The Art of Hearing Data (1996)Media policy for private media in the age of digital platforms (2019)The development of video streaming industry in Egypt: examining its market environment and business model (2020)Netflix in Europe: Four Markets, Four Platforms? A Comparative Analysis of Audio-Visual Offerings and Investment Strategies in Four EU States (2021)Challenging Journalistic Authority (2018)Folk theories of algorithms: Understanding digital irritation (2020)Doomscrolling, Monitoring and Avoiding: News Use in COVID-19 Pandemic Lockdown (2021)New cinema history and the comparative mode (2016)Grounded Nationalisms (2019)The ‘Netflix Original’ and what it means for the production of European television content (2021)
this work references cited by second hop

References

  • 1991Beyond media imperialism: Assymetrical interdependence and cultural proximity774 cited
  • 1988Reasons for the US dominance of the international trade in television programmes500 cited
  • 2014The Media Welfare State288 cited
  • 2007The Cinema of Small Nations146 cited
  • 2015The ongoing significance of national media systems in the context of media globalization122 cited
  • 2015Public Service Media in Europe: A Comparative Approach72 cited
  • 2016Global Media and National Policies42 cited
  • 2015Television drama production in small nations: Mobilities in a changing ecology29 cited

Cited by

  • 2022Media-political inroads for Europeanising national cultural public spheres: EU-level obstacles and national public service perspectives13 cited
  • 2024Pandemic culture4 cited
  • 2022Screen agencies as cultural intermediaries: Delivering gender equality in the film and television sectors?4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work