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MEANING IN MUSIC AND INFORMATION THEORY
0 references·16 citing·49 second hop
MEANING IN MUSIC AND INFORMATION THEORY (1957)MEANING IN MUSIC AND INFORMATION THEORYSeeing Voices (2024)Seeing VoicesTriadic patterns across classical and popular music corpora: stylistic conventions, or characteristic idioms? (2021)Triadic patterns across class…Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music (2021)Exploring the foundations of …Toward a Predictive Theory of Theme Types (2020)Toward a Predictive Theory of…Novelty and influence of creative works, and quantifying patterns of advances based on probabilistic references networks (2020)Novelty and influence of crea…Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis (2020)Harmony and form in Brazilian…Uniform Information Density in Music (2019)Uniform Information Density i…Stylistic information in pitch-class distributions (2019)Stylistic information in pitc…Enacting Musical Time (2019)Enacting Musical TimeInformation Flow and Repetition in Music (2014)Information Flow and Repetiti…Musical Style, Psychoaesthetics, and Prospects for Entropy as an Analytic Tool (2008)Musical Style, Psychoaestheti…Towards Greater Objectivity in Music Theory: Information-Dynamic Analysis of Minimalist Music (2007)Towards Greater Objectivity i…The Concept of Musical Grammar (1983)The Concept of Musical GrammarSocial Interaction and Musical Preference (1982)Social Interaction and Musica…On Rehearing Music (1961)On Rehearing MusicOn the Moods of a Music-Logic (1960)On the Moods of a Music-LogicSyntactic Structures (1957)Consciousness and the Computational Mind (1988)The cognitive revolution: a historical perspective (2003)The Logic of Modern Physics (1927)Language and Music: Areas for Cooperation (1963)Linguistic Models in Ethnomusicology (1974)Musicology and the semiotics of popular music (2010)The Rhythmic Structure of Music (1962)Language in Relation to a Unified Theory of the Structure of Human Behavior (1967)A Theory of Semiotics (1976)Signifyin(g): A semiotic analysis of symphonic works by William Grant Still, William Levi Dawson, and Florence B. Price (2007)A Sign of the Times: Semiotics in Anglo-American Musicology (2012)Levels of Reasoning in Keynesian Beauty Contests: A Generative Framework (2018)Principles of Gestalt Psychology (1936)Emotion and Meaning in Music (1961)The Effects of Sexually Violent Rock Music on Males' Acceptance of Violence Against Women (1991)"Music in the Moment": A Discussion (1999)Principles Of Gestalt Psychology (2013)Music and its multitude of meanings: Exploring what makes brand placements in music videos authentic (2017)Conflict, arousal, and curiosity. (1960)Statistical Learning by 8-Month-Old Infants (1996)Statistical learning of tone sequences by human infants and adults (1999)Mind the gap: an attempt to bridge computational and neuroscientific approaches to study creativity (2014)The evolutionary roots of creativity: mechanisms and motivations (2015)Nonlinear Changes in the Rhythm of European Art Music (2016)Emotion and Meaning in Music (1957)Music, Mood, and Marketing (1990)The Influence of Background Music on Shopping Behavior: Classical Versus Top-Forty Music in a Wine Store (1993)Mood Management via the Digital Jukebox (2002)Perspectives of New Music (1963)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Audacious EuphonyChromatic Harmony and the Triad's Second Nature (2012)GeneralizedTonnetzeandZeitnetze, and the topology of music concepts (2020)The line of fifths and the co-evolution of tonal pitch-classes (2022)The Structure of Scientific Revolutions (1963)The Structure of Scientific Revolutions (1963)The Creative Mind (2004)Categories and Concepts (1981)The New Grove dictionary of music and musicians (2001)Methodology of Social Sciences (2017)STYLE AS A TOPICAL CATEGORY OF MODERN MUSICOLOGY AND MUSIC EDUCATION (2021)Tonality (2023)Cadence (2024)Personal Knowledge: Towards a Post-Critical Philosophy (1959)Outline of a Theory of Practice (1977)Institutional Ecology, `Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39 (1989)Large‐Scale Structure, Performance and Brahms's Op. 119 No. 2 (2021)EVOLVEMENT OF SYNCRETIC MUSIC: THE AESTHETIC VALUES OF MALAYSIAN POPULAR AND TRADITIONAL MUSIC (2023)Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès (2024)
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Cited by

  • 1982Social Interaction and Musical Preference211 cited
  • 1960On the Moods of a Music-Logic72 cited
  • 2019Enacting Musical Time68 cited
  • 2008Musical Style, Psychoaesthetics, and Prospects for Entropy as an Analytic Tool55 cited
  • 1983The Concept of Musical Grammar45 cited
  • 2020Toward a Predictive Theory of Theme Types37 cited
  • 2007Towards Greater Objectivity in Music Theory: Information-Dynamic Analysis of Minimalist Music36 cited
  • 2019Stylistic information in pitch-class distributions30 cited
  • 1961On Rehearing Music25 cited
  • 2020Novelty and influence of creative works, and quantifying patterns of advances based on probabilistic references networks19 cited
  • 2021Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music16 cited
  • 2021Triadic patterns across classical and popular music corpora: stylistic conventions, or characteristic idioms?14 cited
  • 2014Information Flow and Repetition in Music12 cited
  • 2024Seeing Voices10 cited
  • 2020Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis

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10 cited
  • 2019Uniform Information Density in Music9 cited