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Narrative Film Music
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Narrative Film Music (1980)Narrative Film MusicThe Roles of Music in Films (2023)The Roles of Music in FilmsIntroduction (2021)IntroductionRethinking the Diegetic/Nondiegetic Distinction in the Film Musical (2017)Rethinking the Diegetic/Nondi…The Composer and the Studio (2016)The Composer and the StudioThe Cambridge Companion to Film Music (2016)The Cambridge Companion to Fi…Materializing Film Music (2016)Materializing Film MusicLa Vie en Noir: Woman, Melodrama, and the Biopic (2016)La Vie en Noir: Woman, Melodr…Film-Music Theory (2016)Film-Music TheoryMoving “Choreomusically”: Between Theory and Practice (2012)Moving “Choreomusically”: Bet…Diegetic versus nondiegetic: a reconsideration of the conceptual opposition as a contribution to the theory of audiovision (2010)Diegetic versus nondiegetic: …Diegesis and Representation: Beyond the Fictional World, on the Margins of Story and Narrative (2010)Diegesis and Representation: …Fighting for Subjectivity: Articulations of Physicality in "Girlfight" (2009)Fighting for Subjectivity: Ar…Filmmusik und Emotionen (2008)Filmmusik und EmotionenThe Soundtrack: Putting Music in its Place. (2007)The Soundtrack: Putting Music…The Words of Music (2003)The Words of MusicDon Boyd's Aria: A narrative polyphony between music and image (1999)Don Boyd's Aria: A narrative …The Cognitive Structure of Emotions (1988)Appraisal Considered as a Process of Multilevel Sequential Checking (2001)Appraisal Processes in Emotion (2001)Unheard melodies: narrative film music (1988)Feminine Endings: Music, Gender, and Sexuality (1992)Performing rites: on the value of popular music (1997)Chapter 15. Music, language, and multimodal metaphor (2009)The Language of Song: Some Recent Approaches in Description and Analysis (2010)The sound of nonsense - on the function of nonsense words in pop songs (2017)On the Plurality of Worlds (1986)Constructing a language: a usage-based theory of language acquisition (2003)The Argumentative Reconstruction of Multimodal Discourse, Taking the ABC Coverage of President Hu Jintao’s Visit to the USA as an Example (2013)Australian accounting academics: challenges and possibilities (2014)Course in General Linguistics (2017)Narrating the Transnational: Refugee Routes, Communities of Shared Fate, and Transnarrative Form (2018)Throwing like a girl: A phenomenology of feminine body comportment motility and spatiality (1980)Phenomenology of Perception (1982)Feminism Unmodified: Discourses on Life and Law (1988)Written on the Body (2012)Image-Music-Text (1977)Film Bodies: Gender, Genre, and Excess (1991)Silent film sound (2005)Story and Discourse: Narrative Structure in Fiction and Film (1979)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Sound Design is the New Score (2019)Dialectic of Enlightenment (2020)Postmodernism, or, The cultural logic of late capitalism (1991)Dialectic of Enlightenment, 2011 (2011)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006) (2021)Korngold in America (2025)Narrative discourse revisited (1989)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Beyond the soundtrack: representing music in cinema (2008)Singing and Dancing in Widescreen (2022)Languages of Art (1968)Ways of Worldmaking (1978)Spaces, Gaps, and Levels (2012)Tractatus logico-philosophicus (2021)Enacting the Worlds of Cinema (2022)
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  • 2010Diegesis and Representation: Beyond the Fictional World, on the Margins of Story and Narrative48 cited
  • 2010Diegetic versus nondiegetic: a reconsideration of the conceptual opposition as a contribution to the theory of audiovision47 cited
  • 2016The Cambridge Companion to Film Music43 cited
  • 2017Rethinking the Diegetic/Nondiegetic Distinction in the Film Musical38 cited
  • 2008Filmmusik und Emotionen26 cited
  • 2016Materializing Film Music26 cited
  • 2003The Words of Music22 cited
  • 2016La Vie en Noir: Woman, Melodrama, and the Biopic15 cited
  • 2009Fighting for Subjectivity: Articulations of Physicality in "Girlfight"9 cited
  • 2007The Soundtrack: Putting Music in its Place.5 cited
  • 2023The Roles of Music in Films4 cited
  • 2012Moving “Choreomusically”: Between Theory and Practice4 cited
  • 2016The Composer and the Studio3 cited
  • 2021Introduction3 cited
  • 1999Don Boyd's Aria: A narrative polyphony between music and image3 cited
  • 2016

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Film-Music Theory
3 cited